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Books Issues Non-Fiction Releases Reviews

These two books hold the key to your financial breakthrough

TITLES: Should I? and How Much

AUTHOR:  Florence Bett

REVIEWER: Scholastica Moraa

AVAILABILITY: Nuria Book Store

If you ask most people about money and investments, you will likely realise that they are clueless about what they are doing and what is going on. If you ask about inflation and investments, most people will fumble, trying to explain what they understand by that.

The only thing they know about investments is buying land. Because their fathers told them so. Because during their grandfather’s time, that type of advice worked well. More often than not, they are wrong, they are unsure and they need help. And that is where Florence Bett comes in with her books, Should I? and How Much

Explained in an easy to understand manner; in a question and answer format, you are likely to find many of your questions, on investment, in this book. Your eyes will be opened and you will see the light. You will, in effect, break free and as Florence says; “your money will start working for you.”

In Should I?, Bett teaches about budgeting, how to avoid being broke before your next pay day, where to start your investment journey, how to handle love, sex and money. She also addresses the topic of Saccos; what they are and how they work. Also addressed in the book, is the question on why you should consider saving in a money market fund instead of a bank.

Other areas include whether or not you should buy a car, what you need to know about bonds, what you need to know about starting a side hustle, among many other issues.  She breaks it down into palatable portions and when you finally put the book down, the cobwebs will be removed from yours.  The beauty about her style of writing is in the way you can put yourself into the scenarios she describes and the simplicity of the steps she encourages the reader to take.

In her second book, How Much, the reader can reap from her experience as a personal finance columnist, a business owner, a certified accountant and former financial auditor. In this book, she explores the murky waters of money and marriage, managing family finances and current issues with regards to making money, such as social media, agriculture, pyramid schemes, and recovering from loss. There is a high probability that if you have wondered about any nagging financial issue, Florence Bett has probably written about it. 

The humour in her tone also makes it easy to go through the books, thus making this an interesting if not fun experience.

The books are highly recommended for young people fresh out of school and who don’t know where and how to start managing their finances. It also comes in handy for for employed people, who live pay check to pay check, as well as for people wondering on whether to start their business, to parents trying to educate and take care of their children

Above all, these are books for anyone who is seeking financial freedom.

The books are relatable, educative and beautifully written.

Moraa is a young woman navigating life. Author of Beautiful Mess… Co Author of Dreams and Demons and I’m Listening 2021 edition. She is also the winner of Kendeka Prize of African Literature-2022. She can be found with a book or two. When she’s not fighting to stay afloat, she is daydreaming, writing poetry or reading.

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Books Issues Non-Fiction Releases Reviews

These harrowing tales will make you a better person

TITLE: Confessions of Nairobi Women Book Two

AUTHOR: Joan Thatiah

REVIEWER: Scholastica Moraa

There’s something about secrets and confessions that makes everyone’s ears perk up, listen a little harder and be more curious. That is what Joan Thatiah’s books do. They make you crave what is inside the pages. They make you pay attention

 Confessions of Nairobi Women Book Two is a sequel to the first series. It contains twelve, raw, painful but brilliantly written stories. They are also page turners. You just can’t stop reading; every story just keeps you yearning for a little bit more.

As harrowing as the tales are, in the end, they are worth it because they leave you looking at the world differently; Looking at the women you meet in different situations with kinder eyes. They are a harsh reminder of the adage, ‘walk a mile in someone’s shoes before you dare to judge’

From a woman who tried so hard not to be like her mother only to end up realising the path her mother chose was the best, to a lawyer whose life was destroyed in car jack; the stories leave you trembling with horror. Because they are just ordinary women who you wouldn’t look at twice if you met them. You would actually think they are pretty well off and have no reason to complain. From the horrors of addiction, prostitution, FGM, crime, and many more; there is no dark place the writer has shied away from.

These stories deserve to be here. If you come across this book, pick it up, immerse yourself in it. When you bring your head up for air, you will be a changed person, I hope a better and kinder person too.

And that is what books are meant to do. Make us better.

This book comes highly recommended.

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Books Fiction Releases Reviews

Thought-provoking stories to charm the mind

TITLE: A Surreal Journey of Discovery

AUTHOR: Eric Rugara

PUBLISHER: Self

REVIEWER: Godfrey Kogie

Life is beautiful when its non-linear. No one wants to leave when living is a surreal journey of discovery. 

A collections of stories coming from the author who is a widely published contributor of short stories, the book is dedicated to storytelling.

It is a fantastic voyage that truly captures you from the first page to the end. With stories that makes someone stare at the wall and start questioning his/her own levels of imaginations, to which level it can extend.

The feeling these stories gives the reader is so profound that in my view you will want to re-read the book.

The author is descriptive in each story, in a rich way, yet also precise with beautiful wordplay that makes the reader admire being a writer. 

It takes you on an unimaginable journey into dreamland, with each story leaving you with questions that will linger in your mind for days.

The book also acts as an eye-opener with insights into what we believe, the power of the mind; the whole idea of living and existing, as well as life after death.

Written in a majorly in the realm of dreams, the book also has elements of humour, beauty, magic, love and deception. I particularly found The happy land experience being an inspiration.

At 208 pages and with 22 stories, some rendered in two parts, you can read the book in one setting.

My favourite stories were Waitherero, which left me with a thrill, only to find it has a second part, which was even more interesting; and A new earth for its apocalyptic theme. 

Being his first book and crafted absolutely well can be surprising how the stories complimented each other, and that feeling the author wanted to achieve of your mind can give you wings as far being imaginative and creative is concerned. 

To any book enthusiast who has not read the book, you are missing a lot. I rate it 5 Star 

You can find A Surreal Journey of Discovery at Nuria store.

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Books Fiction Releases Reviews

A captivating tale of humour, crime and adventure

TITLE: Tentacles of Crime

AUTHOR: Dennis Odhiambo

PUBLISHER: African Ink Publishers

REVIEWER: Peter S. Okumu

It has taken me weeks to write this review, after finishing reading this book. I had to look for convenient time, and draft the review that the book deserves. When we first spoke, Dennis mentioned to me that the book would be titled “No Tears to Cry”.

A few months later, what came out of the press was Tentacles of Crime. So as I was reading this novel, I was curious, to link it to his first title, and as I delved into its pages, I quickly understood why. This captivating tale weaves together humour, crime, and painful adventures in a truly remarkable way. Allow me to share my thoughts on this outstanding literary work.

From the very beginning, Tentacles of Crime draws you in with its beautiful storytelling. Dennis has a unique ability to craft vivid characters who effortlessly come to life on the pages. The protagonist, who is a high school student, is a complex but relatable individual, navigating a world filled with dark secrets, robbery and unexpected twists. You’ll find yourself emotionally invested in their journey, eagerly turning each page to unravel the mysteries that surround them.

One of the book’s greatest strengths lies in its seamless blend of humour, crime, twists and suspense. The zigzag way Dennis expertly injects moments of levity throughout the narrative, providing a welcome respite from the tension and suspense that permeate the story. These comedic interludes not only add depth to the characters but also highlight the author’s knack for balancing different tones, resulting in a well-rounded and enjoyable reading experience.

Beyond its gripping plot, Tentacles of Crime serves as a lens through which Dennis explores thought-provoking social issues that most youths face. The book addresses themes such as inequality, corruption, and the struggles that most youths/students go through; shining a light on the darker aspects of society – the church/religion. Through his writing, Dennis prompts readers to reflect on these topics, leaving a lasting impact long after the final page has been turned.

I must acknowledge Dennis’ exceptional talent as an author. His debut novel showcases a remarkable command of storytelling and a true understanding of the society. I wholeheartedly encourage you to support this budding literary guru, by purchasing a copy/copies of his book.

Hongera mkuu! Let us put it on paper! Let us write, for that is a noble duty we were given!

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Books Events Fiction News Non-Fiction Poetry Releases

International Literary Seminars: a call for applications

Are you an emerging writer? This is your opportunity to participate in the prestigious International Literary Seminars (ILS), where you will get to improve your writing skills.

ILS, a joint venture by ILS and Jahazi Press, is looking for three writers to fill the slots. You have until August 7 to submit your application.

The fellowship, covers tuition, travel and accommodation for the three recipients. “These merit-based fellowships are designed for upcoming writers who are looking to grow their writing skills with the guidance of an experienced ILS faculty and a community of peer writers,” says a statement from ILS.

Although only three successful applicants will be picked, the good news is that all the applicants will automatically be entered into the 2023 ILS Fiction Contest and considered for publishing in Yolk and Fence magazines. “This will also be a unique opportunity to listen to New Yorker editor, Deborah Treismann and acclaimed short story writer, George Saunders,” says ILS.

The week-long fellowship for the successful applicants which will take place in the coastal town of Lamu, in December, will among others, feature craft development sessions, manuscript based workshops and lectures and discussions with prominent authors.

Some of the acclaimed authors, who will be taking participants through the paces, include Mikhail Lossel, Billy Kahora, Yvonne Adhiambo Owuor and Idza Luhumyo, among others. “ILS 2023 will launch in Nairobi where participants will interact with local and international writers as well as attend readings by core faculty members and guests. This will be followed by a week of writing workshops in Lamu,” says the statement from ILS.

Applicants are required to submit an unpublished sample of between 3,000 to 6,000 words, that represents their best work as a Word Document. Poets should submit three samples of their work.

Participants of last year’s event were Gladwell Pamba, Munira Hussein and Dennis Mugaa.

“Winning ILS has been my biggest achievement because it gave me opportunities I had only dreamt of,” says Pamba, who studied English and Literature at Moi University.

You can apply through this link.

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Arts Awards Culture Events Fiction Issues News Non-Fiction Releases Short story

Submissions for Kendeka Prize now open

Short story writers have until May 15 to submit their entries to the Kendeka Prize for African Literature.

The call out for submission for the 2023 prize was made on Saturday January 28, during the inaugural Kendeka Lecture, held at the Mount Kenya University. The lecture, titled Why Literature Matters and Literary Prizes Matter, was delivered by Prof Austin Bukenya.

Entry for the prize is free.

“The Prize will be awarded for the best unpublished short story either in fiction or creative non-fiction,” says a statement from the Kendeka secretariat, signed by Andrew Maina, the founder. “The first prize will be Ksh100,000, while the second and the third prizes shall be Ksh50,000 and Ksh25,000 respectively.”

The announcement was made by Prof Goro Kamau, the incoming chair of the Kendeka Prize for African Literature.

Entrants must be born in, or are citizens of any African country. Manuscripts should be of between 3000 and 5000 words and must be in English.

The overall winner of the 2022 Prize was Scholastica Moraa,(Kenya) for her short story titled ‘Chained’. Adaoro Raji, (Nigeria) was the first runners-up for her story Star Boy’, while Beverley Ann Abrahams, from Zimbabwe was the second runners-up for her short story, Isithunzi’.

The winner of the 2021 Kendeka Prize for African Literature was Jenny Robson, Botswana, author of Water for Wine. Fatima Okhousami, from Nigeria, was the first runners-up for her story, The Women of Atinga House, while Okpanachi Irene Ojochegbe, from Nigeria, was the second runners-up for her story, Au Pair.

Other submission guidelines.

  • One entry per writer.
  • Entries should be attached in Microsoft Word or Rich Text format, with the title of the story as the file name.
  • The first page of the story should include the title of the story and the number of words.
  • The entry must be typed in Times New Roman 12-point font with 1.5 line spacing.
  • Entries must be sent as attachments to an email.
  • The email to which the story is attached must include the legal name of the writer, telephone number, a short Bio, age, and country of residence.
  • Entrants agree that the prize organizers may publicize the fact that a story has been entered, long listed, shortlisted or won the prize.
  • An author of a long listed story agrees to its inclusion in the anthology, and to work with editors to get the story ready for publication.
  • The long listing of a story is not a guarantee that the story shall be included in the anthology.
  • The winners, first and second runners-up in the past Kendeka Prize, are not eligible.
  • Every author confirms that the submission is their original work, it has not been published anywhere else, and that it has not been long listed in this prize or in any other prize.
  • The entrant gives exclusive global print and digital rights to Solano Publications Ltd for the long listed stories for publication in an anthology. The author retains the copyright.
  • The judges’ decision is final.
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Books Featured Non-Fiction Personalities Releases Reviews

In Spare, British tabloids more than met their match

Title: Spare

Author: Prince Harry

Reviewer: Mbugua Ngunjiri

Never, in their wildest imaginations, did players in the British media expect that a member of the royal family would come swinging at them the way rebel Prince Harry has done in his tell-all book Spare.

The tabloids took refuge in the fact that the royal household operates under the motto of ‘never complain, never explain’, to launch all manner of cowardly attacks on the monarchy, including outright fabrications and falsehoods. After all, they comforted themselves, the royals, bound by their strict rules, can never come out to tell their side of the story.

They also knew that they owned the megaphone through which they could poison the mood of the public against the royals, if they did not cooperate.

With the British media, the royal household is held hostage; they are virtually prisoners; the message being: ‘you either do as we want or else…’

Enter Prince Harry, a rebel within the royal household. Still smarting from the way his mother, the universally loved Princess Diana, who was hounded by paparazzi, who were only interested in taking photos even as the she lay dead in an accident they had caused.

The tabloids targeted Harry from an early age, when he was still in school. Normal teenage truancy by the prince was regularly being analysed and dissected in the papers. The royal family could not bring itself to defend and protect the vulnerable prince.

From the book, it is clear that two of his girlfriends broke up with him as they could not cope with the hounding and relentless intrusion of their privacy. One of His exes committed suicide in 2020. He blames the media for her death.

As the book’s title suggests, Harry is the Spare as opposed to William who is the Heir. Thus, according to Harry, the royal family was too willing to sacrifice the Spare in order to protect the Heir and indeed the rest of the family.

Thus whenever the media caught wind of something negative emanating from the royal household, they were appeased by being given ‘something’ about Harry, never mind its authenticity. Whenever Harry complained to his father – the now King Charles – the father always had a stock answer for him: ‘don’t read the papers’.

This was hypocritical coming from Charles seeing as it was him and his wife Camilla who, through their offices, regularly fed the media with negative information about his sons, in order to shore up their image. William also followed suit and also took part in leaking stories in the media about his brother.

In the book, William comes out as an aloof whiny entitled brat, given to throwing tantrums over minor issues. Despite the fact that he is almost certainly assured of inheriting the kingship from his father, he is not happy with the roles assigned to his younger brother and which appears to accomplish rather well.

William griped endlessly when the Palace approved Harry’s patronage of war veterans’ activities, claiming that those activities were eating up the royal household’s budget. This is despite the fact that Harry’s involvement with the veterans was only taking up a tiny fraction of the budget, with corporate donations plugging the rest.

The royal household saw red when Harry hooked up with Meghan Markle. Here was a woman, who through her acting had curved out a global profile for herself. They could not, according to Harry, stand being outshone. That is when the media leaks against Harry and went on overdrive.

From the palace, the onslaught was led by William. Many are the days when Harry came home to find his wife in tears. Such was the intensity of attacks that Meghan, according to the book, considered ending her life. The race-baiting was especially ugly.

When they could take it any longer, Harry, his wife and child ran to Canada, where for six weeks they led a peaceful life, before the Daily Mail leaked their location and the hounding by paparazzi resumed.

Harry says that their unending war with the media led to Meghan suffering a miscarriage. That explains why he reserves his harshest words for the media, calling them a ‘dreadful mob of dweebs and crones and cut-rate criminals and clinically diagnosable sadists along Fleet Street’.

As stated earlier, the media in Britain never thought that a royal would go to the media to tell his side of the story, let alone a tell-book. Their coverage of the book is telling; it is full of hurt and anger: How dare this brat turn the tables on us, exposing our lies about him and his family; making us look bad.

If they thought that they are the only wielders of the megaphone, well Harry, with his best-selling book, wields it better. Not forgetting that Meghan is yet to write hers…

In Harry, the British tabloids have finally met their match. Diana must be rejoicing wherever she is.

For their shameless race-baiting of Meghan, British tabloids deserve anything and everything coming their way.

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Books Culture Personalities publishing Releases Reviews

Nyanchwani’s tough love Memos to men

Title: 50 Memos to Men

Author: Silas Nyanchwani

Publisher: Gram Books

Price: sh1250

Reviewer: Mbugua Ngunjiri

Growing up in the village, you would occasionally overhear grown-ups say things like: “Huyu mtoto ni mwerevu kuliko miaka yake.” This was often in reference to youngsters perceived to be intelligent beyond their years.

Now that I am a certified elder, the above notion crosses my mind every time I read a post – mostly on Facebook – authored by Silas Nyanchwani. That is why whenever he makes an announcement to the effect that he has a book out, I want read what he has written.

His first offering Sexorcised, had some sections that left me blushing. While I can’t remember the last time I read a novel in the erotica genre, Nyanchwani proved that we have some hidden talent amongst us, wah!

But I digress.

I am here to talk, or rather, to write about 50 Memos to Men – his latest book – and I have been wondering to myself, where does the author get wisdom to talk about relationships so authoritatively? Isn’t this a case of mtoto kuwa mwerevu kuliko miaka yake?

Anyone who doesn’t know Nyanchwani, getting the chance to read Memos, would most likely assume that this the product of a greying man, with grey, bushy eyebrows, given to wearing frumpy sweaters, peering above horn-rimmed spectacles, balanced on the bridge of their nose.

First of all, how long has Nyanchwani been in the marriage institution, if at all he is married, for him to be dispensing such wisdom? Just the other day, Nyanchwani and I worked at The Nairobian, when the tabloid was flying off newsstands. Then, he was writing a column, whose content always rubbed the female gender the wrong way. Such was the controversy.

So where did he learn these things?

Then and now, I always marvelled at how, this quiet, soft-spoken young man courts controversy so effortlessly, like the time he attacked Mukimo – one of my favourite dishes – so badly, I think I trolled him on Facebook. Awachane na Mukimo kabisa.

Again I digress.

After I finished reading Memos, I got away with the feeling that this can only be the product of careful observation of human behaviour. Everything he writes resonates deeply and ticks all the right boxes. We all have our fair share of relationships, hence reading the book is like walking into a room full of familiar faces. Whatever is written here, resonates so deeply at a personal level.

Talking about familiarity, well familiar faces come with different memories, not all of them good. Some can be downright traumatic like when one suffers a painful heartbreak (character development?) So, what is the advice for men who have suffered break-ups? “…once she tells you it is over, bro, don’t ever beg…nothing you will ever do will win her back,” says the book, adding. “When a woman breaks up with you, 99 per cent of the time, she has a backup plan.” Savage.

One thing I enjoy about Nyanchwani’s writing is that he gives it to you straight, like bitter, but effective medicine. Call it tough love, but Memos is not about babysitting grown men, who think the world waits for them to make up their minds. The kind of advice dispensed in this book is a bit like the child that rans to its father, eyes bawled up, from an altercation in the playground, only for the parent to give them a proper hiding; to man them up. Hakuna kubembeleza.

Nyanchwani has this unique ability to bring out, on paper, the things you only think about in the deep recesses of the mind; making it look so easy, yet packing them with so much sense. That, to me, is the sign of a good writer.

It is rather obvious why most women get exasperated by his writing; he almost always gives men ‘bad’ advice. Listen to this “…unless she is your mother or sister, don’t even give a woman money…my stingiest friends get laid more, or even get paid for their cabling services…trust me, men who treat women better hardly get anything good in return.” Hmm…

Isn’t it funny how he pummels women’s sensibilities, yet they keep coming for more. Well, that is what eloquent, persuasive writing does for you.

Still, his is not the blind, see-no-evil hear-no-evil, embrace of men. He calls them out when they do stupid things that hurt good women. Such men are afforded the worst contempt in the book. As a man, you do not want to be caught on the wrong side of his pen.

I have seen a number of social media personalities crown themselves the title ‘Men’s President’, but most are trash talking, bottom feeding online busybodies with nary in the way of brains. To me, Nyanchwani, with his smooth cerebral writing is more deserving of that title.

When I opened the book’s cover, I feared it would come out as the glue that did the binding appeared to have spilled over, however, after handling it for a number of times, the gluing seems to be just fine. And yes, I like the cover design; very creative.

Now, apart from a few typos here and there, which can be smoothened by a good editor, this is a book I highly recommend. I learnt a lot.

About being the tallest writer in Africa – I am short, so this cuts to the quick – I wonder, whom between Nyanchwani and Clifford Oluoch is shorter.

Categories
Events Issues News Releases

Publishers disown book price increase

Kenyan parents can now rest easy in the knowledge that book prices are not going to be increased, at least according to the publishers’ umbrella body.
In a press statement dated January 2, 2016, Mr. David Waweru, the chairman of Kenya Publishers Association (KPA), reports appearing in the media to the effect that book prices have been increased by up to 15 per cent are ‘false and alarmist’ .

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“The  source cited is  not an industry insider and  no  effort was made  to verify this  false
information,” explained Mr. Waweru, who is also the CEO of WordAlive Publishers.
He added “The facts  are that  out of over 4,000  textbooks in the
Orange Book only  about 200 books are affected  by a  price increase of between  4 and 10 per cent.” He however did not specify which books are to be affected by the price increase.
“Whereas publishers would have
wished to  increase the prices to match the increase of the  costs of production and mitigate for the
weakening shilling, publishers instead  opted to  lower their  margins with  the increase of  4 to 10 per cent and keep a majority of  the titles at the same price level.  In fact, prices on some titles were  reduced,” he added.

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Mr. David Waweru

Our sources however tell us that, on this issue, the horse has already bolted, as book distributors have marked up their prices and are advising bookshops to follow suit.
The real bone of contention, though is the Kenya government’s unpopular decision to slap VAT on books. “KPA once again  urges government  to
zero-rate textbooks as it is  immoral to  tax knowledge and  therefore raise  the  barriers  of access  to books,” said Mr. Waweru.
Kenya, he explained, is the second country in Africa, after South Africa, to impose VAT on books despite being signatories to international conventions that commit not to impose taxes on books.

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Events Issues News Releases

A season of literary awards

Kenyan writers are still basking in the afterglow of the most important twin events in their calendar year; the literary awards season where they get to be appreciated for their labour love.
The Kenya Publishers Association (KPA) and the National Book Development Council of Kenya (NBDCK) gave out the Text Book Centre Jomo Kenyatta Prize for Literature and the Burt Award for African Writing respectively. It was truly a harvest season for writers as the overall winner for the Burt Award went home with Sh765,000 while the one for the Jomo Kenyatta Prize got Sh300,000.

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One might look at the varying prize money in the two awards and think that the Jomo Kenyatta Award is inferior to the Burt Award – indeed, the top winner in the Jomo Kenyatta Prize gets substantially less than what the second runners-up in the Burt Award got (Sh425,000). The fact of the matter, however, is that the Jomo Kenyatta Prize, small money notwithstanding, is far more prestigious, having been established in 1974. Some of the winners, over the years include heavyweights like Meja Mwangi, David Maillu and the late Wahome Mutahi, among others.
The Burt Award, which is bankrolled by William Burt, a Canadian philanthropist, after whom it is named, was awarded on Friday, September 25, at the Kempinski Hotel, while the Jomo Kenyatta Prize was awarded, a day later, at the Pride Inn Hotel, in Westlands. Text Book Centre was added as a prefix to the Jomo Kenyatta Prize, to recognise the proprietors of Text Book Centre, who have consistently funded the award over the years.
Christopher Okemwa, took the overall prize, in the Burt Award, with his book Sabina and the Mystery of the Ogre, published by Nsemia Publishers, pocketing Sh765,000 in the process – had he been sufficiently philanthropic, he would have donated his prize money to overall winners (in the English and Kiswahili Adult categories in the Jomo Kenyatta Prize) and still retain Sh165,000 as balance.
Okemwa’s book addresses the thorny issues of Female Genital Mutilation (FGM) and early forced marriage as exemplified by the struggles, and eventual triumph, of a girl called Sabina, who dares to challenge these two cultures in her Abagusii community and comes out triumphant. This win is a major plus for Nsemia Publishers, who have for sometime occupied the margins of publishing in Kenya. Nsemia was the refuge for writers who, rightly or wrongly, felt that mainstream publishers had shut doors in their faces.
Mark Chetambe, published by EAEP, took second prize for his effort Names and Secrets, taking home Sh595,000. This is the first time EAEP was getting a nominee in the Burt Prize, which has previously been dominated by Longhorn, Moran and Phoenix Publishers.
The third prize went to Charles Okoth, whose book A Close Shave is published by Phoenix Publishers. For his effort, he received a check worth Sh425,000.
In the Text Book Jomo Kenyatta Prize for Literature, Yvonne Adhiambo, via her critically acclaimed book, Dust, published locally by Kwani? took the English Category prize, earning herself Sh300,000. Yvonne Adhiambo won the Caine Prize for African Writing with her story, Weight of Whispers, in 2003, a year after Binyavanga Wainaina, the founder of Kwani? won the same award with autobiographical short story, Discovering Home.
The panel of judges, chaired by Dr Tom Odhiambo of University of Nairobi noted that Dust, written by a writer “who is comfortable with style and language of expression, strongly reminds Kenyans that ignoring the country’s ‘fractured’ history is perilous for our pursuit of national commonness.”
The winner in the Kiswahili adult category was John Habwe, with his book, Pendo la Karaha, published by Moran. In the Youth Category, the winners were Tissue Boy, written by Edward Mwangi (Moran) and Naskia Sauti ya Mama by Ken Walibora (Longhorn).
In the Children’s Category, the winners were A Scare in the Village by award winning author Stanley Gazemba (OUP) and Ushindi wa Nakate by Clara Momanyi (Longhorn). The two winners in the Youth Categories, each took home Sh150,000 while those in the Children’s category got Sh100,000 each.
There have been murmurs in writing circles as to why writing for adults, as opposed to writing for the youth or children, is considered superior if the prize money is anything to go by. Proponents of children’s writing argue that the prize money should be the same, seeing as writing for children is quite technical. No writing should be seen to be inferior to the other, they say.
Now that the prizes have been awarded, it remains to be seen whether publishers and award administrators will make extra efforts in marketing these books. In previous years, apart from the award ceremonies and stories in the media, no extra effort is put to make these award-winning books known to the wider public.