The inaugural edition of the historic Storymoja Hay Festival finally opened yesterday at the Impala Grounds, along Ngong Road. The Impala Grounds have in the last 15 years increasingly grown in stature, made popular by the annual Safari Sevens rugby tournament, but that is a story for a another day.
As I was saying, The Storymoja Hay Festival kicked off yesterday, and the biggest and the best, the literary and artistic community has ever witnessed in Kenya, will be stomping the grounds, harder than the rugby maestros have ever done in a single event.
Before I embark on my story, it’s a hats off to Muthoni Garland, and her tireless team of Storymoja team, who have made sure that this event actually takes off. And I mention names here, Carol Gaithuma, Sheila Ongas, Millie Dok – she actually went to Scotland – Matin Njaga – he of the Brethren of Ng’ondu – Sitawa Namwalie – Cut off my Tongue – , Joshua Ogutu – In the Land of the Kitchen – among others.
How Storymoja managed to convince Hay to partner with them, is something Muthoni will have to tell me. What is it they have done differently? After all the Hay Festival is not your daily Migingo, Mau Forest or Hague for that matter.
So I check in a bit late – 3.30 pm – and the car park is almost full. Er, I came in a matatu, if you must know. The first vehicle I notice is Lawrence Njagi’s SUV. Njagi is the young CEO of Mountain Top Publishers, and the chairperson of the Nairobi International Book Fair. He is here to be in the panel of publishers discussing the sticky subject of whether Kenyans read. Do they?
On my way inside I notice Annette Majanja, the diminutive former Kwani? publicist. I last saw her in September last year, and try as I could I could not get her to tell me where she is working nowadays.
Once inside, the first person I notice is Moraa Gitaa. She can really tell a story, this Moraa. Her book, Crucible for Silver and Furnace for Gold, a mouthful, I must say, is on sale at the Savani’s Book Stand. She tells me that my Friend Onduko bw’ Atebe is also in the house. Atebe’s first book The Verdict of Death won the inaugural Wahome Mutahi Prize for literature in 2006, a really tight book, I must say. Why do I get the feeling that this is one writer, whom the Kenyan literary crowd is yet to appreciate? Maybe Kenyans don’t read after all.
Atebe is with John Mwazemba, the publishing manager of Macmillan Kenya limited, who is also a prolific writer in the papers. He is chairing the discussion on the reading culture. Moraa had told me she was itching to put Mwazemba on the firing line, and I made a mental note of being there when her shot goes off.
Mwazemba is on the phone talking with Tony Mochama, the Smitta. Apparently, Smitta, who is launching his book, The Road to Eldoret, at the Goethe Institut today – will I make it for the launch really – has been promising Mwazemba he is coming to the Festival for the last four hours. Cheeky Smitta.
Its rather chilly – its July anyway – and there are not that many people on the opening day, maybe due to the fact that it is a weekday. I am sure place will be teeming with humanity today and tomorrow, what with all the hype and publicity that has surrounded the event.
People look rather subdued, perhaps due to the cold, but Mburu Kimani, the movie man is just in shirt, something to do with his bodybuilder’s physique. After promising to give me an exclusive of his forthcoming TV series, Mheshimiwa, I move on to the Kenya Burning tent, where they are exhibiting images of the post election violence. I have a copy of the picture book, done by Kwani? and the Godown Arts Centre, but I can’t resist going inside.
There, the pictures, of the various events that accompanied that dark period are hung on the wall, not looking frightening at all. I could not help but notice that most of the pictures tell the story of ODM and PNU, and how its supporters set the country on fire, both literary and metaphorically.
Isn’t it interesting that barely a week ago, Kibaki and Raila, all exuding lovey dovey camaraderie, shared lunch in Raila’s Bondo home, yet their infantile quarrel over votes led to the deaths of more than a thousand Kenyans, shame on them. Oh and Raila and Ruto, his lieutenant then, are not in speaking terms, but for how long?
At the end of the room, I notice that there is an adjoining room, and I can almost guess what is in there. I hadn’t seen any frightening images. It is then that I see the notice, “Viewer Discretion” pinned at the entrance to the small room.
Inside there, I am met by some of the most foul and disturbing images I will ever set my eyes on. All of a sudden, the room gets cramped and stuffy, and I feel sick in my stomach. It’s like a morgue, and yes there is a picture of people viewing bodies inside a morgue. I can almost feel the stench. I am brought back to the present by gasps of horror from the other people watching the images from hell.
These are Kenyans who turned against their fellow Kenyans, all because politicians told them to. My mind rushes back to the day’s headlines. NO Tribunal, Hague – The Standard. Split Cabinet gives up on a special tribunal – Daily Nation. Pictures of Kibaki alongside Raila feature prominently. It is getting increasingly clear that the victims of the post election violence will not be getting any justice any time soon.
I get out of the tent feeling nauseated and angry. My “foul mood” – ala Kibaki – is soon lifted when I see Carol of Storymoja. She has been working tirelessly seeing to it that I am completely updated on the Festival and its refreshing to see her.
She is in the rather shabby looking media tent – I am comparing this with last year’s media tent which came complete with a free tea/coffee and snacks corner. To all ye journalists expect no such freebies this year.
Carol accompanies me and soon we meet Wachuka Mungai, the managing editor of Kwani? Kingwa Kamencu, the writer – To Grasp at a Star – cum literary activist is also there looking absolutely smashing. She promises to buy coffee later. Billy Kahora, the Kwani? editor too is here, and he wants to know if I still remember today’s event, where I am in the panel interviewing Malindi-based visual artiste Richard Onyango.
Around the corner we meet a harassed Muthoni Garland, she’s just been from the main stage making announcements. Surely there should be other MCs helping her out in this event.
Leaving Muthoni behind, we meet James Murua, who had been running a session on Internet dating, accompanied by my two favourite poets, Njeri Wangari, aka the Kenyanpoet and Eudia Kamonjo, They are also bloggers. They are also running their own shows at the Festival. Apart from running his social Nairobiliving.com, Murua is also a columnist with the Nairobi Star, now The Star.
I also see Oyunga Pala, the man behind the popular Man Talk column in the Saturday Nation. He has been running a session on Men Under Attack. He is a former editor of Adam magazine.
From then on my eyes get to behold the various personalities in the literary and art scene, I am somewhat overwhelmed. I can see Parsalelo Kantai, a two time Caine Prize nominee. Mukoma wa Ngugi, also nominated for Caine this year. And why is no one mentioning that he is Ngugi wa Thiong’os son? Or is it that he has come of age and can stand his own? Hmm…
I can also see Ugandan David Kaiza and his compatriot Doreen Baingana, she of Tropical Fish, Movie maker Judy Kibinge, writer Rasna Warah. I also espied Petina Gappah, the Zimbabwean lawyer whose collection of short stories An Elegy for Easterly – a wonderfully written story – is just out. Eh and Richard Onyango is also there. Why did I always conjure up images of him as a tall and muscular person? Well, he is tall alright and er, rather skinny.
Remember, there is also Hanif Kureishi, a renowned filmmaker and author, and bestselling author Vikram Seth. What more could one wish for? Nobel Laureate Wole Soyinka was supposed to have come, but he didn’t. I will tell you that story another day. Our very own Nobel Laureate Wangari Maathai will be there.
Its time to get into the Whether Kenyans read forum and apart from Mwazemba, Njagi and Baingana, there is also Bibi Bakare, who runs Cassava Republic Publishing house in Nigeria. I must have missed Moraa’s firing shot as Billy Kahora calls me to the beer tent to Meet Richard Onyango.
I also meet events cum fashion show organizer Leakey odera, who is all geared up to stage a cat walk later in the evening. I later meet him, looking rather downcast and he tells me that authorities have decreed that everything should close down after 6.30 pm, the killjoys!
It is time go home and Atebe gives me a lift in his Subaru. We discuss business, and heatedly debate Michela Wrong’s controversial book Its our Turn to Eat.
I’ll be back tomorrow. Tune in for another update.
Tag: Books
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Ngugi bags Man Booker nomination
Kenya’s foremost writer Ngugi wa Thiong’o is among 14 contenders for this year’s Man Booker International Prize. Worth £60,000 to the winner, the prize is awarded every two years to a living author who has published fiction either originally in English or whose work is generally available in translation in the English language.
Ngugi is the only African writer in the list of nominees, who include Nobel winner V.S. Naipaul. The nomination alone is enough proof that Ngugi’s works are rated among the world’s best.
Other nominees for the prize are Peter Carey (Australia), Evan S. Connell (USA)
Mahasweta Devi (India), E.L. Doctorow (USA) , James Kelman (UK), Mario Vargas Llosa (Peru), Arnošt Lustig (Czechoslovakia), Alice Munro (Canada), Joyce Carol Oates (USA), Antonio Tabucchi (Italy), Dubravka Ugresic (Croatia) and Ludmila Ulitskaya (Russia).
This is the third edition of the prize, which was won, in 2005, by Albanian Writer Ismail Kadare, and Nigerian Chinua Achebe, in 2007.
“By honouring Achebe they have redressed what is seen in Africa – and beyond – as the acute injustice that he has never received the Nobel prize, allegedly because he has spent his life struggling to break the grip of western stereotypes of Africa,” said the Guardian in 2007.
The winner is chosen solely at the discretion of the judging panel; there are no submissions from publishers.
Ngugi, whose writing career started 45 years ago decided to stop writing in English when he was detained without trial in 1977. He henceforth decided that would write in Gikuyu. He wrote his latest book Wizard of the Crow (Murogi wa Kagogo) in Gikuyu and later translated it in English.
The book takes a critical look at the often hypocritical relationship between Africa and donor countries. The book appears to suggest that donor funds are actually the main contributors to corruption and dictatorship in Africa, thereby fuelling underdevelopment in the continent.
His other book The River Between is currently a literature set book studied by secondary school students in the country. Ngugi is also a renowned essayist, with Decolonising the Mind: The Politics of language in African Literature and Moving the Centre: The Struggle for Cultural Freedom, receiving international acclaim.
Ngugi was born on 5 January, 1938 in Limuru. He attended Makerere University in Uganda and Leeds University in the UK.
During his tenure as a lecturer at the University of Nairobi, Ngugi was at the center of the politics of English departments in Africa, championing the change of name from English to simply Literature to reflect world literature with African and third world literatures at the center.
The performance of I Will Marry When I Want, a play written with the late Ngugi Wa Mirii, at Kamirithu in Limuru landed him at the Kamiti Maximum prison without trial.
After his release in 1982, he fled to exile, first in Britain and then to the US and only returned to Kenya in 2004. On his return him and his wife Njeeri were attacked by gunmen at their hotel in Nairobi.
In 1992 he became a professor of Comparative Literature and Performance Studies at New York University, where he held the Erich Maria Remarque Chair. He is currently a Distinguished Professor of English and Comparative Literature as well as the Director of the International Centre for Writing and Translation at the University of California, Irvine.
The winner of this year’s Man Booker International Prize will be announced in May 2009, and the winner will be presented with their award at a ceremony in Dublin on 25 June 2009.
It has been said that former Subukia MP Koigi wa Wamwere and controversy are inseparable. Nowhere does that come out clearly than in his new book Towards Genocide in Kenya: The Curse of Negative Ethnicity in Kenya. Actually, this is not an entirely new book. Koigi added a new chapter in his earlier book Negative Ethnicity: From Bias to Genocide, to come up with the present book.
The first book was published by Seven Stories Press in New York in 2003. It warned of what would happen in Kenya should we let the monster of negative ethnicity (tribalism) entrench itself in the country. We entertained the monster and it did not disappoint. Four years after Koigi’s book was published the country burst its seams.
Kenyans turned against Kenyans in an orgy of murderous violence previously unseen in the country history of the country. Well, we had witnessed violence inspired by negative ethnicity since 1992, at the introduction of multi party politics, and which occurred predictably, every five years, in time for general elections.
The violence that took place after the contested 2007 General Election, though said to be a “fight for democracy” was just an extension of what had been happening in 1992 and 1997. The only difference is that this time inhibitions were cast aside, and our soft underbelly was exposed. Local and international media cheered on as poor Kenyans butchered fellow poor Kenyans.
If truth be told, the 2007 elections were not about issues. It was all about tribe and hatred, and negative ethnicity was on the driver’s seat. The new chapter on Koigi’s book is aptly titled Reaping the Storm, for we surely reaped the storm. The author puts events that led to the violence into sharp perspective, and he takes no prisoners. In the book, he delves into issues that are only talked about in whispers. In short he goes where the Kenyan media chose to ignore or to cover up all together.
Koigi also takes the battle to the backyard Western powers and exposes what he thinks was their role in the whole issue. Most of all he examines the relationship between various ethnic communities in Kenya and how politicians were able to exploit that and sow seeds of enmity and hatred among the people. He also addresses the issues of the coalition government, and what he thinks are its chances of success.
Going by some of the revelations in the book, it is likely that it might rub some feathers the wrong way, and that is where Koigi excels in courting controversy. Some publishers had to turn the book down, in view of the explosive contents of the new chapter. Eventually, the book found home in Mvule Africa, a publishing venture run by Barrack Muluka, another person who does not shy away from controversy. I must also mention that the book has some pictures, whose only intention must have been to cause “shock and awe”. You only need to see some of the images to see what I mean.
The book is available at leading bookstores and is retailing at Sh1,200, which I think is a bit on the higher side. Overall, the general physical outlook of the book should have benefited from more professional input.
I must admit here that Sarah Palin, in spite of the awful things that have been said and written about her, pulled off quite a speech when she accepted her vice-presidential nomination at the Republican Convention.
She proved that just like Obama, she has what it takes to work up crowds and the Republican conservatives must really love her. While I would wish her well, as she and McCain face off with the formidable opposition of Obama-Biden, I can’t help but wonder what she has against books.
I think her speech was going on rather well until she decided to make Obama’s authorship the topic of her attacks against the Illinois Senator
“… it’s easy to forget that this is a man who has authored two memoirs but not a single major law or reform – not even in the state senate,” she charged. This was in obvious reference to Obama’s two best-selling books ‘Dreams From My Father: A Story of Race and Inheritance’ and ‘The Audacity of Hope: Thoughts on Reclaiming the American Dream.’
It is not hard to see that Palin is miffed by the positive publicity the two books have afforded Obama. On the contrary everywhere she turns she effortlessly attracts scandal and more scandal.
Isn’t it the height of mediocrity that any person, let alone a vice-presidential candidate, would decide to attack the very fountains of knowledge; books.
What example is the good lady setting to American children by pouring scorn on books? The saddest part in this macabre script is that those gathered actually cheered when she uttered these unfortunate words.
I can understand where she is coming from. Brawn as opposed to brains has served her well on her way to the top. When you hear that she managed to tear apart the “old boys” network in Alaska, as well as taking on oil cartels, don’t imagine she did it through the power of persuasion. Is it any wonder that the word Barracuda has liberally been used to describe her? Oh, by the way she loves guns and likes hunting.
I gather that Palin has a degree in Journalism. But pray tell, why she exhibit such contempt of knowledge and information?
In spite of everything, I still have much faith in Palin. She can redeem herself and even put her massive talents to good use by writing a book or books of her own.
Suggested titles:
Pregnancy Myths: A Working Mum’s Journey to the Top
More Guns, Less Books: My Dream for a Terrorist Free America
Good luck Palin. You really need it.
Update: I gather that sometime back in Alaska, Palin tried to get a librarian fired because the said librarian refused to remove some books, the governor found “offensive” for the library! How anti-knowledge can one get?
Good people,
I received this thought provoking piece from Mundia Mundia and I thought I would share.
Leave your comments down there.
Hi, May you kindly permit me to break into the residence of the ‘Nyama Choma Siesta’ with a few reflections on the ‘Story Moja Nyama Choma Fiesta’. First, Muthoni Garland, the stewardess of this ‘eatery’ venture deserves a warm part on the back for a job well done. The ‘Reading is Fun’, that was the thyme of the recently held event certainly would help promote social interaction with love for the book as the main course. On the flip side though does the recipe for pages and the Nyama Choma flavor equals summer, dumber and slumber? For it seems that reading a book certainly should thus leave behind a meaty, but memorable, taste now that the combined delicacy appears popular. But does the seemingly harmless fever appear imperceptible and surely infecting all, including children?
When I think of food I think of, ‘Comfort Me With Apples by Riechl; Chocolat and Five Quarters of The Orange, by Joanne Harris; Eat, Cheat and Melt the Fat, by Suzanne Somers and Food Nation, by Eric Schlosser ( Houghton Mifflin).
My friend, Perminder Suri, informed me that he could not attend the fiesta for he is a strict vegetarian though he is a religious reader of novels. He could not allow his wife, who is obese and has secondary medical complications to join other readers. He is also worried that his children, Inaara and Khaliq Singh, may be exposed to a ‘strange’ economic class and socio-cultural orientations though he is keen to witness the ‘end product’ of the fiesta. This then led us to a lengthy verbal discourse on differentiation, association, the Pavlov effect and other related habits. He wonders how Nyama Choma can readily be associated with reading. He says that his friend, Musau, always talks of ‘having a siesta after a Nyama Choma spree’ (may be due to him taking alcohol). On the other hand he recognizes the impact of the ‘crowd puller’ merger. I asked him if that wasn’t deceit but he literally swallowed his answer but this time round not with chapatti.I later joked that my taking Nyama Choma may literally overtake my reading habit due to the former’s readily and easy-to-take palatable and ingesting flavor.As I contemplated taking the fleshy pieces a bout of gout and overweight caught my mind.There is no doubt that, ‘one can safely assume that the Kenyan literary landscape is slowly coming to life’, as Joseph Ngunjiri (SN, Aug. 17, 2008) put it.The same writer also confirms that Story Moja is ‘causing ripples in the literary world, if only through their unorthodox way of doing things’. Thus, Story Moja has helped promote social interaction at the same time reading.
But is Nyama Choma a recipe and the menu on the elusive literary pages?
Mundia Mundia Jnr.
Prof Wangari Maathai’s memoirs Unbowed, will be the subject of discussion during this month’s Storymoja’s Book Club. The event takes place on Monday 7th of July 2008 at the Sherlock’s Den Nakumatt Lifestyle from 6pm to 8 pm.
Nominated MP Njoki Ndung’u will grace the event.
Unbowed, published in 2006, puts the Nobel Laureate’s life in focus. In the book, she opens her life to the reading public, including intimate details about her marriage, and the messy divorce that followed.
She also describes, in great detail, her struggles against retired President Moi’s dictatorship, for which she suffered severe beatings, public humiliation from politicians, and being locked in police cells. Incidentally, it is those tribulations that eventually earned her the Nobel, not forgetting her tree planting efforts.
Many publishers in Kenya did not take kindly the fact that Prof Maathai overlooked them and chose a foreign publisher. During the book’s launch at Outspan hotel in Nyeri, in September 2006, Prof Maathai said that no local publisher had approached her for the project.
This is despite the fact that an editor, at a local publishing house, had confided in me that they had contacted her office with a view to writing the book, but got no response.
To be honest had I been in Prof Mathaai’s position, I would have opted for the foreign publisher. The offer one gets from these people is, to paraphrase Kimunya, is simply irresistible.
This should not be interpreted as a slight to local publishers, but do they have the capacity to market such a book internationally? The answer is a big NO!
Let me illustrate this. Why is it that a book like Onduko Bw’ Atebe’s The verdict of Death, which in spite of winning the inaugural Wahome Mutahi Literary Prize, is not known beyond Kenyan borders?
Even Ngugi wa Thiong’o, with his attachment to East African Educational Publishers, decided to give international rights for his book Wizard of the Crow, to foreign publishers.
Local publishers however made up for it by publishing Children’s books on the Nobel Laureate. Oxford University Press published Waithaka Waihenya’s Army of One, in 2006. Last year, Sasa Sema, an imprint of Longhorn Publishers published Kinyanjui Kombani’s Wangari Maathai: Mother of Trees.
But I digress. The Storymoja Book Club brings together book lovers, who discuss their shared love; the book. The book club also affords them the opportunity to network. Annual membership to the club is Sh1000.
What are the benefits of being a Storymoja Book Club member? For starters you qualify to get 20% Discounts for books in Nakumatt Ukay, Mega, Nyali and Embakasi bookshops, hmm not bad at all. That is not all. One also gets 10% reduced on the price food and drinks courtesy of Books first, Sherlock’s Den and Storymoja. I wonder if this enticing discount is applicable whenever a Storymoja Book Club member drops by at Sherlock’s Den at anytime?
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Meja Mwangi’s book honoured
Meja Mwangi’s book The Last Plague, published by Kenya’s East African Educational Publishers (EAEP) has been included in the current issue of African Writing (AW), a bi-monthly online journal, under the Books Worth Reading column. This is a column that makes a case for potential African classics. This is a major honour for the book that addresses the issue of HIV/Aids.
The honour is not misplaced though. The book, which was published in 2000, won the Jomo Kenyatta Prize for Literature, Kenya’s biggest and most prestigious literary prize, in 2001. AW pays glowing tribute to Mwangi’s book by comparing it with Ngugi wa Thiong’o’s latest masterpiece Wizard of the Crow.
In his 449-page novel, THE LAST PLAGUE, Kenyan writer, Meja Mwangi, achieved two things: he wrote a restrained AIDS novel that was true to the apocalyptic character of the pandemic, and he wrote a classic of delirious humour. It is this combination of tragedy (that never quite loses its grasp on hope), deft satire, and unexpected humour that bushwhacks the reader at the most sombre moments, that makes this book compelling rereading, even seven years after its first publication.
Read the complete review on AW here
Meja Mwangi’s other book Kill me Quick, also by EAEP won the inaugural edition of Jomo Kenyatta Prize for Literature in 1974. During this year’s edition of Jomo Kenyatta Prize for Literature, his book The Boy Gift, also by EAEP, took third position in the youth category. The second position was taken by Ken Walibora with his book Innocence Long Lost, Published by Sasa Sema. The Overall winner was Kingwa Kamencu’s book To Grasp at a Star (EAEP)
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Dr Alembi honoured for children’s writing
David Mulwa was just emerging from the Literature Department bulding, at Kenyatta University (KU) where he teaches, when he came to an abrupt halt. It was as if he had seen a ghost. For a few brief seconds he stood there, his mouth wide open, as if trying to establish whether his eyes were lying to him. Clearly, they were not.
“Chris Lukorito Wanjala!” he exclaimed finally and rushed forward to hug the other man, and they remained in a tight embrace for a few more seconds. Dressed in a sharp grey pin-stripped suit, Prof Wanjala had just stepped out of his maroon Volvo, and for sure he was a sight for Mulwa’s sore eyes. While Mulwa teaches at Kenyatta University, Prof Wanjala teaches at the University of Nairobi, some 23 kilometers away.
On that day, Friday, November 3, 2007, Prof Wanjala admitted that many years had passed since he last set foot at KU. And for him to appear there now, it really must be a big day. True, it was a big day. The Igbo of Nigeria say that a toad does not jump in broad daylight for nothing. The two lecturers had barely finished exchanging niceties when Dr Ezekiel Alembi appeared on the scene.
Now, Dr Alembi is the chairman of KU’s Literature Department, and he was the reason Prof Wanjala was there. It was a big day for Dr Alembi. Sasa Sema Publications, an imprint of Longhorn Publishers, were honouring him for his contribution to children’s literature.
To be fair to him, Dr Alembi has penned over 39 children’s books! no mean feat by Kenyan standards. This lead to one student in the audience to ask when Dr Alembi finds time to sleep! When he took to the podium Prof Francis Imbuga, who was the chief guest remarked quite rightly that writing for children is not child’s play!
To elaborate on that point, Dr Alembi recounted an encounter with a person who so much took writing children’s stories for granted, that he said that he could write 15 children’s books in a week. That was five years back. To date, he has not written even one.
Er, before I forget, let me add that the event was not a purely literary affair. There were some entertainment too. Serious entertainment at that. Students from the university’s band kept all the guests thoroughly entertained with their masterly of musical instruments. The Salsa group also staged some eye-catching dancing. Cream Group was at hand for some well-choreographed dancing. A comedy group, I cant recall their name, tore our ribs with their improvised narrative on what was taking place at the event.
Talking of performances, perhaps the best perfomance, at least according to me, was when David Mulwa accompanied by Prof Kitula King’ei, with a box guitar, did some two zilizopendwa (Golden Oldies) numbers, Taxi Driver and Dereva Kombo. That was really something coming from the aging university dons.
Now back to the event. Dr Alembi told those gathered at the event that he was really humbled with the recognition, adding that it is not everyday that publishers in Kenya honour their writers. “It is even more heartening that they have decided to honour me while I am still alive. In most circumstances, such honours come after its recipients have died,” he explained.
Dr Catherine Ndungo, who heads the department of Gender and Development studies at the university, hailed Dr Alembi for bring literature to the level of children. She said that among other things, Dr Alembi argues that the interests, needs and responses of child readers must be taken into account. “That a concern with the intended audience is crucial to the critical appraisal of children’s literature,” she explained.
Prof Imbuga thanked Dr Alembi for being ” a conscious writer, dictating to his pen the thoughts that go to the vulnerably receptive minds of his young audience.”
Dr Alembi has written seven books for Longhorn publishers. They are; Jaramogi Oginga Odinga: Peoples’ Revolutionary, Elijah Masinde: Rebel with a Cause, Andisi and the Cat, Brave Girls, The Tortoise Song, Kwa Nini Ndovu Hali Nyama, Teaching Reading in Lower Primary. He has also co-authored the Keynote Primary English Course which is approved by the Kenya Institute of Education (KIE) and widely used in Kenya and Tanzania. The occasion was also use to launch his latest book, A Dream on Wings.
“ It is Alembi’s zeal and energy that made us feel guilty that he is rarely
recognized. We are now working on two secondary school supplementary books
with him, and it’s just great to work with a man who wants to give his readers the
very best,” says Musyoki Muli, the Sasa Sema Publications Manager.
In September Dr Alembi was in Argentina, where he presented a paper tiltled Children’s Oral Poetry as a Channel for Transmitting Social Values at the International Society for Folg Narrative Research (ISFNR). Dr Alembi is ISFNR Vice-President for Africa. Dr Alembi is also the chairman of the National Kenya Schools and Colleges Drama Festival.
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Kingwa Kamencu, Kenya’s rising star
As a first year Literature student at the University of Nairobi Kingwa Kamencu took up the challenge by the National Book Development Council of Kenya (NBDCK), to come up with a manuscript for a novella, and won the second prize and Ksh35,000.
That was in 2003. The same novella, now in the form of a book – To Grasp at a Star – won the youth category of the Jomo Kenyatta Prize for Literature, Kenya’s most prestigious literary prize.
An elated Kingwa says winning the prize is enough testimony that her writing can actually compete with the best in the country. Looking back at the manuscript she wrote as a student, she says at the time she not quite sure it would be among the winners. “I nevertheless submitted the manuscript and hoped for the best,” she recalls.
“At that time in campus I decided to write so as to overcome the disappointment of losing in student leadership elections,” she says.
During the awards ceremony, she got to interact with many personalities in the literary world, some of whom she had only read about in her Literature class. However, one individual was to make all the difference.
In the gathering was Barrack Muluka, who was then the managing director of East Educational Publishers (EAEP). “I talked to him and he asked me to submit the manuscript for consideration at the company,” says Kingwa her face lighting up at the recollection.
She wasted no time. The event was held on a Friday evening and by Monday morning an excited Kingwa was knocking at EAEP’s offices in Westlands.
Then the good news came. She was informed that her manuscript had passed the publication test only that they wanted another novella of the same length. Luckily, for her she had written one.
Her dream of being a published author was finally realised when she was in third year. To Grasp at a Star was finally born. She says that after the book was published, there was so much excitement both from her family members and university colleagues.
“My university lecturers were very proud of me. They held a launch for me at the university and even adopted the book for use in children’s literature,” says the only girl in a family of boys.
That was just the beginning for what was to be exciting times ahead for the book. When the Kenya Publishers Association announced that they were introducing the Wahome Mutahi Literary Prize, in 2006, in honour of the late humourist, EAEP entered Kingwa’s book for the competition.
She was pleasantly surprised when her book took third position behind Stephen Mugambi’s book Wait for me Angela (Kenya Literature Bureau). Onduko bw’ Atebe’s book The Verdict of Death, also by EAEP took the overall prize.
During this year’s Jomo Kenyatta Prize for Literature Awards, To Grasp at a Star won the overall prize in the youth category, beating Ken Walibora’s book Innocence Long Lost (Sasa Sema) to second position. Meja Mwangi’s book Boy Gift came in third.
The judging panel led by Prof Emilia Illieva of Egerton University was full of praises of the book.
“Kingwa Kamencu tells immensely interesting stories of young female adults who, under the impact of illusive ideas of success and glamour, get caught up in dangerous situations that nearly jeopardise the bright future they so much deserve by virtue of their outstanding qualities,” said Emillia.
Kingwa, who now works as a writer at the Media Institute, finished her undergraduate studies in August last year, where she graduated with First Class Honours. She is currently pursuing a Masters degree in Literature, a scholarship she got from the university.
She has attended various courses on writing including British Councils’ Crossing Borders programme. She has also volunteered during the Kwani Trust organised Litfest held in December last year.
She however thinks that more needs to be done to improve the literary situation in the country. “Writers need to be more serious in their writing and publishers need to market their products more,” she says. “Otherwise we will keep moaning about a poor reading culture forever.”