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Moraa:I have worked hard for Penguin nomination

No Kenyan publisher has ever taken Moraa Gitaa seriously. And while they have generally given her manuscripts a wide berth, Penguin Books, one of the world’s most respected publishers, thinks otherwise.

Out of the 250 manuscripts received all over Africa for the inaugural Penguin Prize for Africa Writing, Moraa’s and five others became the eventual nominees in the fiction category. The awarding ceremony will take place in South Africa next month. And if she wins the award, she stands to take home a cool half a million shillings (R50,000).

The other nominees are Kenya’s Mukoma wa Ngugi, Ellen Aaku from Zambia, Chika Ezeanya from Nigeria, Shubnum Khan from South Africa and another South African Isabella Morris. “Of all the nominees, I am the only one based in the continent,” she says with a touch of pride.

The award seeks to highlight the diverse writing talent on the African continent and make new African fiction and non-fiction available to a wider readership. Apart from the prize money, the winners will also benefit from a publishing contract with Penguin Books South Africa, with worldwide distribution via Penguin Group companies.

Among other things, the judges will be looking for freshness and originality that represent the finest examples of contemporary fiction out of Africa. In the non-fiction category the judges will be looking for serious narratives that examine and explore African issues and experiences for both local and international audiences in an engaging, thought provoking and enlightening way.

Moraa, who is in her mid thirties, believes that her manuscript meets the bill and is confident of winning the overall prize. “I deserve it,” she says defiantly.

When she had earlier presented the same manuscript to a Kenyan publisher, it came back with a rejection note accusing her of having ‘an extremely wild imagination.’

Such a put down would have left an average writer utterly devastated and unable to continue writing, but evidently, Moraa is not your average writer. “I licked my wounds and decided that if no Kenyan publisher is interested in my work, I would look for a publisher outside the country,” she says with a determined look in her face. “I have gone through more trying times in the course of my writing and there was no way I was going to allow such a comment to break my spirit.”

Without elaborating Moraa, who calls herself a pro-women and children’s writer, says her writing gives ‘profound insights’ into the human condition, “and for that you are labeled a controversial writer.”

She explains that she started writing the manuscript way back in 1997. At some point, in 2003, while still writing the manuscript, she developed pneumonia, yet she was staying in Mombasa, the last place you expect a person to catch a cold-related ailment.

“I almost died while writing this manuscript,” she says with a rueful smile. Then, she was working as an administrator in a busy nightclub at the coastal resort city. And in order to get some quiet time to work on her manuscript, she would cover herself in what she thought was warm clothing and sneak into the cold room, where she would put pen on paper, literary.

The effect of those stolen moments in the cold room was the pneumonia she developed later. “The people who knew what I was doing at that time believed I was genuinely mad,” she says. “But if following my passion means that I am labeled mad then so be it.”

Not even the pneumonia could douse the burning ambition she had of becoming a writer. In 2007, she moved to Nairobi, where has been working as a part time editorial consultant. “I shifted from Mombasa as I thought that Nairobi held more promise in terms of getting published,” she explains.

It was not in vain as the following year another of her manuscripts won the National Book Development Council of Kenya (NBDCK) literary award, and with it came a modest cash award of Sh30,000.

When she could not get a publisher locally she took yet another of her manuscripts to Nsemia Publishers, based in Canada. Unfortunately for her the book Crucible for Silver and Furnace for Gold could not be accepted for the Jomo Kenyatta Prize for Literature, for the mere reason that it was published outside Kenya, never mind that Nsemia is owned by a Kenyan.

With the nomination Moraa now feels that her hard work and perseverance is finally being recognized. She adds that it should also serve as enough reason for Kenyans and East Africans for that matter to start dusting their long neglected manuscripts. “If you have a passion for writing you should not give up just because there are not enough opportunities in your home country,” she says.

That is the only way East Africans can ever hope to match their Western and Southern African counterparts, she adds.

If she wins the award, Moraa says that part of the prize money would go towards developing a centre for children with learning challenges. This has been motivated by the fact that her daughter, now fifteen, was born with dyslexia.

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Personalities Releases Reviews

Dreams in a time of war

As a little boy growing up in Limuru, writer Ngugi wa Thiong’o was, one night, woken up by his mother to meet some ‘visitors’. Young Ngugi was pleasantly surprised to find that one of the visitors was his elder brother Wallace Mwangi, also known as good Wallace.
Years back, Good Wallace had escaped to the forest, under a hail of bullets, to become a Mau Mau freedom fighter. Now Ngugi was about to sit his toughest exam yet, the Kenya African Preliminary Exams (KAPE), and his brother had risked capture, even possible execution, in the hands of colonial soldiers or their local home guard collaborators, to come and wish him success in the exams.


The risk was pronounced by the fact that Kabae, one of Ngugi’s many step-brothers, was now working for the colonial forces as an intelligence officer. A few days after Good Wallace’s visit Kabae also visited to wish Ngugi success, or had he gotten wind of Good Wallace’s visit?
Young as he was Ngugi had to learn to live with the conflicting emotions and contradiction in their large family. After all, this was in 1954, two years after a state of emergency was declared in Central Kenya, thereby marking the darkest period in colonial Kenya.
Ngugi, Kenya’s foremost literary personality, captures these experiences in Dreams in a Time of War: A Childhood Memoir. In this book, Ngugi once again asserts his reputation as a sublime story-teller.
With his creative power, Ngugi transports the reader into the mind of a young boy and lets them see things through the lenses of a child. Here, a child’s innocence and naiveté forms part of the narrative.
Only rarely does the grown-up and intellectually sophisticated Ngugi show his hand, in the narrative, often laced with subtle humour. Just as this is Ngugi-the-child’s show the author, as much as possible, lets Ngugi the child do the narration.
Just as a child’s universe is impressionable and full of imagination, so is this book.
Ngugi’s formative years coincided with the rise of African nationalism, which was informed by the participation of Africans the First and Second World Wars. This is where Africans realised that the white man, just like them, was mortal after all. This, in effect triggered the struggle for equal rights by demobilised African soldiers, who felt cheated after not getting land, like their white counterparts.
Then, Ngugi, in his childish imaginations, pictured the early nationalists in larger-than-life dimensions. To him, people like Harry Thuku, and later Jomo Kenyatta, and Mbiyu Koinange, were mythical, even magical characters.
He for example imagined the Germans, who at the defeat of the Second World War, surrendered to his step-brother Kabae, who had gone to fight, on the side of Britain in far off Burma, among other exotic sounding places.
As for Kenyatta, the author’s adoration for the mythical figure was to turn sour, when the man, as Kenya’s first president, consigned Ngugi to detention without trial, in 1977.
Much has been made about how Ngugi, in this book, has shed off some of his controversial views and opinions, but when you put into consideration that at that age Ngugi had not yet formed those opinions, then critics making those observations are jumping the gun.
By the time this book comes to an end, Ngugi has just stepped into Alliance High School for his secondary education, so you do not expect a person at that stage to know, let alone appreciate, ideologies like Marxism and other controversial ideas that make Ngugi what he is today.
Maybe critics, who have made careers attacking Ngugi’s every move, should practice some restraint and wait for that point when he tells how he came to embrace those controversial ideas, and why, only then can they take him on.
Apart from growing up under the horrors emergency rule, the author had other things to worry about. He for example had to go out in search of jobs in other people’s farms to supplement the little income his mother earned.
This was in addition to the fact that at a tender age Ngugi and his younger brother, Njinju, had to endure the ignominy of being chased away from home by their father to go and join their mother who had earlier escaped her matrimonial home to escape her husband’s beatings.
Maybe as a way of escaping from those difficulties young Ngugi sought refuge in books, and especially the Old Testament, which had the effect of transporting him to an enchanting world away from the reality of his suffering. Thus a long-life bond between him and the written word was formed.
And all this was as a result of a pact he made with his mother to go to school and do his best. “Was that the best you could do?” was the constant refrain from his mother whenever he brought home a result or the other from school. It also served to inspire him to work even harder.
By deciding to write his memoirs in instalments, Ngugi took the risk of turning off readers who might argue that there is nothing spectacular about a book dealing exclusively with one’s childhood.
His life was not much different from other children growing up at around the same time and under the same circumstances. But then, it takes a special writer to turn otherwise mundane details of growing up into a highly readable and entertaining book.
Most readers have a rough idea about Ngugi’s life story. They also know that the more interesting and controversial aspects of his life lie ahead of Dreams, which means that future instalments of his memoirs will be highly anticipated.
Maybe for future instalments, Ngugi’s Local publishers EAEP should consider releasing their local edition at around the same time as the American and British editions. That way, EAEP would take advantage of the international hype created on the book to move more copies.

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Events Issues News Personalities

Should we expect a new book from Akinyi?

News that Judith Akinyi could have gone back to her old drugs trade did not exactly catch me by surprise. Although I did not interact with her on a one-on-one basis, after she was released from jail, I nevertheless saw her on many occasions during literary events when she was in the process of promoting her book Deadly Money Maker. The book detailed her experiences as a drug trafficker and on being jailed at the Lang’ata Women’s Prison for the same. Why do I say that it did not come as a surprise to me? First of all, seeing this woman at different events I always got the impression that something was amiss with her. She just did not look settled to me. Could it be that after the publishing of her book she expected ‘more’ from the society? Did she expect to become an instant millionaire from the sale of her book? Hadn’t someone told her in Kenya books don’t move that fast? Or better still hadn’t someone told her that Kenyan book publishers are not exactly good marketers of creative works? Well, after she came out of jail, she became a mini celebrity, what with every media outlet seeking to do an interview with her.

The Standard even made her their columnist. She might her gotten her publicity but the money did not come as fast as she would have expected, and she was starting to get anxious. Shortly after she was released, and the Nairobi literary scene could not get enough of her, I made the following observation on this blog: “All this hype will definitely do a lot of good to the book, which might boost its sales. Hopefully then, she might not be tempted to go back into crime. One thing though, all this hype risks getting into her head…” At that time I had called her with a view to interviewing her for the Sunday Nation, but she flatly refused, asking me to pay her first. That is when I knew that this woman was not genuine, and that she had not reformed. Save from the post on my blog, I never dared contradict fellow literary people who could see nothing wrong with Akinyi. Now that she has been arrested again for the same offence, my only hope is that she pens another book, this time, a blockbuster, from the ‘comfort’ of an European jail cell. I also hope that this time around afungue roho and tell it all. After reading Deadly Money Maker I got the impression that she withheld a lot of information…

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Issues Personalities

Is Tony Mochama Taban’s literary son?

Good people,

I came across this email, written by Prof Chris Wanjala, and posted in the Pen Kenya google group, and I thought it was interesting. Though Prof Wanjala shies away from comparing Mochama with Zimbabwe’s Dambudzo Marechera, I would be more incline to compared Mochama, aka Smitta with Dambuzo. Read on…

Dear Juba, Taban may be in Juba and getting entangled in administrative chores.But he left a genre of writing which ver few younger authors are exploiting.I dont like Tony Smitta Mochoma’s guts very much,but I secretly admire the way he enjoys an irreverence and iconoclasm which are decidedly Tabanic. You and I hated Taban because of his tendency to draw attention to himself in Meditations in Limbo and The Last Word. I see this streak in young and naughty Smitta.Taban is also good at dropping names: of politicians,the women he has courted and slept with, the coffee bars and entertainment places he has patronized, and media personalities he admires.I dont want to talk about Dambudzo Marechera at this juncture. Taban engulfs himself in controversies and self-deprecation.So does Smitta Mochama .Is Tony Smitta Mochama Taban’s literary son?

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Issues News Personalities Reviews

Harare North revisited

Hi there,

Yesterday I blogged about Marimba Media, the new Pan African arts journalist platform, which, to all you art lovers, promises to be an exciting forum where you can interact with cutting edge arts reporting from some of the best arts journalists across the continent. While I pointed you to the review I did on Brian Chikwava’s debut novel Harare North. I would also like to draw your attention to what promises to be a lively debate on whether a Kenyan  is qualified to review a book that addresses the Zimbabwean situation. You can follow the debate here, and if you feel like making a contribution, you have to log in first by creating an account.

All the best.

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Events Issues News

And the nominees are…

Following the announcement, by the Kenya Publishers Association, that they have increased the prize money from Sh40,000 to Sh150,000 maisha yetu is proud to announce the nominees for this year’s Jomo Kenyatta Prize for Literature. The judging panel, chaired by Prof Henry Indagasi, of the University of Nairobi, announced the list of nominees as follows: For the adult English category, the nominees are Hawecha, (Longhorn) by Rhodia Mann, Blossoms of the Savannah (Longhorn) by H.R. Ole Kulet and The Big Chiefs (EAEP) by Meja Mwangi. In the Adult Kiswahili category, the nominees are Kala Tufaha (Phoenix) by Babu Omar, Vipanya Vya Maabara (JKF) by Mwendah Mbatiah and Unaitwa Nani (Wide Muwa) by Kyalo Wamitila. Nominees in the English Youth Category are Lake of Smoke (Phoenix) by Juliet Barnes and Walk with me Angela (KLB) by Stephen Mugambi. In the Kiswahili Children’s category nominees are Ngoma za Uchawi (KLB) by Atibu Bakari, Kisasi Hapana (OUP) by Ken Walibora and Sitaki Iwe Siri (Longhorn) by Bitugi Matundura. Nominees in the Children English category are A Mule Called Christmas (Phoenix) by Nyambura Mpesha, The Prize (OUP) by Elizabeth Kabui and On the Run (OUP) by Mwaura Muigania. Winners in both adult categories will win the improved prize money of Sh150,000, while winner in the Youth and Children’s categories will each pocket Sh75,000. The winners will be announced on Saturday, September 26 at Avalon Restaurant along Riverside Drive

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News Reviews

In God’s name

Karl Max famously commented that religion is the opium of the masses, and looking at the present religious set-up in the country, one would be tempted to agree with Max’s observations.
A critical look at some of the fastest growing churches in the country today reveals that they thrive on the phenomenon known as prosperity gospel. In short, their popularity stems from the fact that they preach and promise success mainly through riches. And more often than not they are patronized by people after this success, which also means that these followers are not exactly rich.
The result is such that the more established and conservative churches are hemorrhaging followers to relatively new evangelical outfits at a very high rate. Though rarely documented, there is a wide chasm between these two opposing entities.
In his book Christianity, Politics and Public Life in Kenya, Paul Gifford brilliantly captures this rift plays itself out. He uses the much-touted Satanism probe ordered by the Moi government in 1994, as a point of illustration. He notes that while it is practically impossible to produce sufficient evidence against the phenomenon of Satanism, influential members of mainstream churches and by extension the National council endorsed the move.christianity
The commission’s mandate was to establish the extent and effects of devil worship and its infiltration into “learning institutions and society, to establish its reported link to drug abuse and other anti-social activities” and to make recommendations to “deal firmly with the menace.”
The author notes, rather ruefully that “It did not escape notice also that the blanket demonization of Mormons, Jehovah’s Witnesses, ‘sects’ and ‘freelance preachers’, all categorized as linked to Satan, served to bolster the influence of mainline churches,”
It is not any wonder therefore that among its recommendations was that chaplains to be appointed in all secondary schools, and that religious education should be promoted in schools and universities.
Says the book; “The mainline churches have been hemorrhaging members to new churches and groups, and some saw this report as an effort to get the security apparatus to counter and even reverse this trend. The report even states: ‘The mushrooming and infiltration of splinter religious groups and sects is threatening the existence of established churches and is providing doorways to Satanism.”
Talk about self-preservation on the part of mainstream churches!
Without appearing to be judgmental, Gifford, who is a professor of African Christianity at the University of London, appears to say that the emerging churches can equally not escape censure. In his wide-ranging research that saw him study many of these churches, he brings out some of the inconsistencies even hypocrisy.
His both is a narrative of how Christianity has manifested itself in the Kenyan public life over the years. It looks at how these churches have increasingly carved for themselves a very influential space among ordinary Kenyans. Such is their influence that they only second to political leaders.
In the Kenyan society it is widely believed that matters to d with spirituality are seldom question and this has given rise the situation where these church leaders exploit an mislead their followers.
The book also researches into how the exploitative pyramid schemes were give a religious and spiritual hue – planting the seed – to make them acceptable to the masses. Thus the church cannot escape blame as far as pyramid schemes go.
In early 2007, Central bank warned that the proliferation of pyramid schemes could affect economic growth, as their operations were not related to production of goods and services. “Between February and March 2007, the Nairobi Stock Exchange lost about Sh10 billion in market capitalization, as their ‘lost funds’ were diverted to pyramid schemes,” says the book.
The author draws parallels between pyramid schemes and the Pentecostal sector. “The standard phraseology for all such pyramid schemes was ‘planting seed money’,” he writes. “Most participants were drawn in through motivational talks, almost sermons. One group of losers said they were first introduced to the scheme at church ‘where the pastor gave them a long talk on the benefits of the scheme and its connection with Christianity.
The book says that George Donde the CEO of DECI was a former NCCK coordinator of small businesses “who claimed to have worked in Bangladesh with pioneers in microfinance, the Grameen Bank, as presented it as ‘founded on biblical teaching’.”
The author has a particularly interesting take on Apostle James Ng’ang’a’s Neno church. Apostle Ng’ang’a is preacher who enthralls audiences, both in the church and on TV with his numerous duels with the devil and evil spirits. Gifford says of him; “Ng’ang’a who…finds spiritual casualty everywhere… his followers tended to be poorer and less educated.”
The author traces the rise of what he calls Pentecostalism, in Kenya, to its roots in the US, where prosperity gospel has been taken to a whole new level. He talks of ‘megachurches’ in the US, which are basically personality driven, and whose central theme is success and riches. The mantra here being that “God wants you to be rich.”
The book says how personalities like Reinhard Bonnke, whose crusades were simply money-spinning ventures. But Bonnke has been overshadowed by the emergence of preaches like African American T.D. Jakes. “However, tastes seem to be changing,” writes Gifford. “In Kenya these preachers – like Korea’s David Cho and Morris Cerullo – seem to have been eclipsed in their pulling power by African Americans like T.D. Jakes, Juanita Bynum and Eddie Long, and Bonnke has even closed his African office in Nairobi.”
“I have argued that this Pentecostal Christianity centers primarily on success/victory/wealth,” he writes. “That is why it is misleading to describe the Christianity as evangelical, for even the basic ideas of evangelism have been transformed out of all recognition, even if the words are preserved.”
“The pastors of these newer churches are religious entrepreneurs, examples of an entire new class of religious professional, the church founder-owner-leader. The church is the source of livelihood,” says the book.
The book talks about how these churches have taken offerings – planting the seed – to a whole new level. “Sometimes giving is encouraged gently enough by testifying that one’s own wealth came as a result of giving… not infrequently, however, there is considerable pressure exerted. Sometimes this is just bullying.”
He quotes an international preacher who told his flock thus: “If God knows that you don’t not know how to give to him, He will not heal you of your disease, neither will he be your guide in life.”
It is this preoccupation with material riches that has brought about greed among many of these preachers. And cases abound of preachers who have been taken to court for swindling their followers claiming they had the power to cure them of illnesses like HIV/Aids.
The book is complete with the narration of the soap-opera like shifts, by preachers like Margaret Wanjiru and Pius Muiru, to the political podium replete with the farcical episodes that accompanied the moves.
Gifford also touches on the seemingly pervasive influence of the North American type of Christianity, which he says borders on fundamentalism and Zionism, traits that appears to have been blindly aped by the Kenyan churches, which are always on the lookout for that extra dollar from the parent churches.

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Does more prize money = more creativity?

Creative writers in Kenya will be in for a major treat at the annual Nairobi International Book Fair (NIBF) set to be held towards the end of September. For the first time, the winner of the Jomo Kenyatta Prize for Literature will take home a substantial amount of prize money.
The Kenya Publishers Association (KPA) who are the organisers of NIBF told maisha yetu that winners in the two adult fiction categories – English and Kiswahili – will each get Sh150,000 in prize money.
This is a major improvement from the miserly Sh40,000, previous winners used to receive, for the bi-annual award, the most prestigious in the country.
Other categories in the award, namely the youth and children’s writing will each get Sh75,000.
The increase in the prize money was made possible when the Prize’s main sponsors, Text Book Centre (TBC) presented the KPA Council with a cheque worth Sh800,000 to go towards the fund.
TBC has had a long history with the award. The award ran into financial trouble soon after its first edition in 1974, where Meja Mwangi’s book Kill Me Quick and Abdulatif Abdalla’s Sauti ya Dhiki, won the English and Kiswahili categories respectively.
After a long hiatus, members of the KPA council approached the management of TBC, in 1990, with a view of helping revive the award, which had been formed to encourage and reward creativity in Kenya.
TBC agreed to sponsor the award and donated Sh200,000 for the Prize Mr. C.D. Shah, a director of Text Book Centre, says that their decision to support the award stems from the fact that they had cordial working relations with publishers. “Being the biggest booksellers at that time, we were also their biggest customers,” he says. Text Book Centre has been in the business of selling books since 1950s, thereby making them the oldest booksellers.
TBC has handed over Sh200,000 on a bi-annual basis ever since.
In 1992, the prize was revived and Wahome Mutahi’s book Three Days on the Cross shared the first prize with David Maillu’s The Broken Drum. In 1995, the first prize went to Margaret Ogola, for her book, The River and the Source, Margaret Ogola’s book went ahead to win the Commonwealth Writers prize the same year.
In 1997, the first prize went to Ngumi Kibera’s book Grapevine Stories, with the Kiswahili prize going to Emmanuel Mbogo’s Vipuli vya Figo.
In a move that was deemed controversial, in 1999, judges decided that the books that had been submitted lacked creativity and therefore did not award any prize.
In 2001, Meja Mwangi again won with his book The Last Plague. Kyalo Wamitila’s Nguvu ya Sala took the Kiswahili prize. In 2003, Stanley Gazemba won the Jomo Kenyatta Prize for Literature with his book The Stone Hills of Maragoli.
In 2005, judges failed to award the first prize in the English category, arguing that the titles submitted were not strong enough. They however awarded the second prize, which went to Muroki Ndung’us A Friend of the Court.
In the Kiswahili adult category, the first prize went to Kyalo Wamitila’s Musaleo.
In 2007, Marjorie Oldudhe’s book A Farm Called Kishinev won the Jomo Kenyatta Prize for Literature under controversial circumstances. There was disagreements among judges as to which book, between Marjorie’s and Margaret Ogola’s Place of Destiny, deserved to win the prize.
The controversy led Pauline’s Publications, Ogola’s publishers, to boycott the NIBF since.
Apart from the River and the Source, which went on to win the Commonwealth Writers Prize, other winners of the award have little to show for it.
Critics have accused KPA of making little or no effort at all in marketing or publicising the award. The situation is such that these writers are barely known outside of the publishing and writing fraternity.
Perhaps the saddest story is that of Stanley Gazemba, whose book, The Stone Hills of Maragoli, published by Acacia, and which won the prize in 2003, has been out of print for a number of years now. The author has been engaged with the publisher in a long-running tussle, to make the book available.
The author says that only 500 copies of the book were published. Gazemba is however elated that the efforts of authors are finally being recognised. “They should have increased the prize money a long time ago,” he says. “What they used to give previously was a joke.”
The same fate is suffered by winners of the Wahome Mutahi Literary Prize, formed to honour the late humourist. Although Oduko bw’ Atebe’s book, which won the inaugural prize in 2006, is readily available in the market, the author laments that it should have sold better, had KPA invested in a more aggressive campaign.
Blame here should also fall on the individual publishers, who should also take advantage of the win, to aggressively push the book in the market. But in a publishing market that overwhelmingly feeds on the government funded textbook market, it might be too much to ask of them to invest substantially in marketing a non-textbook.
Mrs Nancy Karimi, who is the chairperson of KPA promised that with the windfall from TBC, the publishers’ body should make a difference in the whole marketing of their prizes.
“The increase in prize money should now trigger more creativity from our writers, as their efforts are now better rewarded,” added Mrs Karimi, who is also the managing director of Jomo Kenyatta Foundation.
Mr Rajiv Chowdhry, the managing Director of TBC explained that their decision to increase the fund came as a result of the fact inflationary forces experienced in the country over the years have seriously eroded the value of the earlier award of Sh40,000.
TBC has promised to donate an additional Sh1.6 million to cover the 2011 and 2013 editions of the prize.
During the handing over ceremony, done at the refurbished TBC offices on Kijabe Street, both the management of TBC and the KPA Council hinted at the inclusion of more categories, in future, subject of availability of funds.

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Issues News

A community library for village folks

About two months ago I had the rare honour of visiting a community library in a dusty, remote village called Ndeiya. I would love to share my thoughts on what I saw there:

The Cardinal Otunga Library is as modern as modern libraries go. Its catalogue includes much-sought after books like the two biographies on American President Barack Obama. Simply put, the library is a gem for a book lover or anyone in search of general knowledge.
Indeed the library, with a sitting capacity of 100 people, has more than 5,000 books, and more are still to come. Well, The Cardinal Otunga Library is not in Nairobi or any other major town for that matter. It is right in the heart of Ndeiya, the very exemplification of a rural area.
Prior to the construction of the road that runs from Thogoto in Kikuyu to Mutarakwa in Limuru – though incomplete – Ndeiya was pretty much a forgotten place. Ndeyia, which is part of the larger Kiambu, and which cuts across two constituencies – Kikuyu and Limuru – had the dubious distinction of being backward, and people from that area were subjected to much ridicule.
On a good day, the library, which opens its doors at 11 am to 5.30 pm, five days in a week, is almost always full of people willing to quench their thirst of information.
The centre, which is housed at the Holy Cross Catholic Church in Thigio, is run by the Daughters of Charity. Sister Liz Smith, who is the centre’s administrator told Maisha Yetu that the center was established with the interests of area residents in mind.
“We wanted something that would take care of the youth, in the area, who are mostly idle and unemployed,” explains Sister Liz adding that the centre also has a hall which hosts recreational games like pool and table tennis.
Money for constructing the hall was donated from a family in Ireland. “After much consultation on how best the hall would be put to use, it was decided that a library would come in handy,” adds Sister Liz.
Over the years, schools in the area have generally performed badly, partly due to lack of adequate learning materials like books. And when Mrs Ann Mburu, a former teacher, was appointed the librarian, the first thing she did was to order for school textbooks, both for primary and secondary schools.
And this has borne fruits. Students from nearby schools drop into the library during weekends and school holidays to do their studies using the textbooks available. A former student from the nearby Thigio Boys Secondary School, who scored an A- in his Kenya Certificate of Secondary Examinations (KCSE) offered to tutor other students for free.
“The boy told us that his good performance in KCSE was a result of using facilities at the library,” explains Mrs Mburu. “He therefore wanted to give something back to society.”
At the time we got into the library, there were only three people, including a young girl browsing through the children’s section. As the interview progressed more people started dropping in. Most of them were in school uniform.
Sister Catherine Madigan, who is in charge of the library says that most of the books were donated from the US. “Three schools from Chicago were being closed and they donated all their books to us. We update books according to the demand,” says Sister Catherine.
The library charges a modest membership fee of Sh250 per year for adults and Sh100 for children. Members can borrow a maximum of two books, which they return after two weeks. Membership currently stands at 150.
Non-members are welcome to come and read from the library. “Membership is open to everyone irrespective of their denomination,” adds Sister Catherine.
Since the library was opened in January 2007, there has been some progress especially among neighbouring schools. “Some of the feedback we have been getting from teachers and parents is that pupils are now able to write better compositions in school,” says Mrs Mburu.
Mr David Kimani, who is in the management committee of schools in the area is full of praises for the Daughters of Charity for introducing the library in the area. “Of all the assistance that has been given to people in this area, this is the best gift so far,” he says. “Other forms of assistance create a sense of dependency among the people, but with book, our young people are going to open up their thinking, which will in effect bring about innovation and creativity.”
UPDATE: I am reliably informed that Mrs Anne Mburu no longer works at the library, otherwise everything about the library stands, including what she told me

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News Personalities

You can now order your books online

I’ve just had a chat with a most interesting couple, and at the end of it my faith in the young people of this country was restored. Not only have they married across tribes, they have come up with a unique online shopping experience for books.
What make’s Enock and Rachel Essendi’s venture unique is the fact that it is completely localised in that you can use M-Pesa to buy the books.
What is more delivery is absolutely free. All you have to do is log on to Rachel’s Bargain Corner, and order your book online. Once you pay your money through M-Pesa, you will get an automatically generated code, which you will then enter and wait for the book to be delivered wherever you want.
“We have an edge over conventional bookstores in that a person anywhere in the country can go online order a book and get it delivered to them,” explains Rachel.
The couple are both 27 and they met in Egerton University, where Rachel was taking a degree in Biomedical Sciences, while Enock was doing Computer Science.
Enock says that his wife is more business-minded and she is the one who decided to establish the online bookshop. “With my technical know how in IT, I designed the website,” he says adding that they are partners in the venture.
Unlike other online shopping stores, which rely on credit cards for payment, Rachel’s Bargain Corner employs the popular M-Pesa mode of payment. “Very few Kenyans have access to credit cards, but M-Pesa is widely available,” says Rachel.
Already, a number of publishers have bought into their idea and are supplying them with books. Rachel first approached Kakai Karani, the general manager of Longman Kenya, who instantly liked the idea.
Rachel then took photos of the books, information on the books and uploaded them on their website. “In instances where publishers have soft copies of their books, they have given that to me,” explains Rachel.
This makes work easier for the publishers as they are now assured of reaching areas that are currently not served by bookshops. Publishers also get the added advantage of saving on costs of delivering the books. Of course publishers give them the discounts extended to booksellers.
Customers from outside Nairobi can have their books delivered through the post office, “The customer indicates the preferred mode of delivery on the website, when they are ordering, and it comes at no additional cost,” she adds.
Apart from Longman, Rachel’s Bargain Corner has also entered into an agreement with the University of Nairobi Press, WordAlive Publishers and Text Book Centre. Storymoja and Kwani? publishers are in the process of joining them. “We are in talks with more publishers to partner with us,” says Rachel.
Rachel’s Bargain Corner will come as a relief for parents who are sending their children back to schools. “We have seen parents waste many hours in long queues waiting to buy books from bookstores,” says Enock. “What we are telling these parents is; you can now attend to other businesses and leave us to deliver the books to you.”
Mr Karani is full of praises for the initiative. “The very fact that they are able to apply the M-Pesa mode of payment puts them head over shoulders over other online shopping entrepreneurs,” says Mr Karani.
“Apart from the fact that they are opening up the availability of books to thousands if not millions of people, they have also revolutionised the supply chain, in that readers can order books from the safety of their offices or homes,” adds Mr Karani.
There is also the added beauty of readers ordering through their phones.
Rachel’s Bargain Corner has been in operation for the last one month, and already the response from customers, mostly their friends, has been satisfactory.
The following areas in Nairobi are currently in their program of distribution: Nairobi CBD, Westlands, Ngong Road, Mombasa Road, Upper Hill, Community Area and Hurlingham.
And with fibre optic cable finally here with us, the future looks really bright for the young couple.
Enock and Rachel got married in July last year and they have a nine-month-old daughter Lakisha.