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Kenyan elected to continental publishing body

A Kenyan, Mr. Lawrence Njagi is the new treasurer of African Publishers Network (APNET), the continental body that brings together African publishers from both English and French speaking countries. Mr. Njagi, who apart from being the chairman of the Kenya Publishers Association, is also the managing director of Mountain Top Publishers, was elected for a two year period when APNET’s general council met in Cape Town on the sidelines of the Cape Town Book Fair. Mr. Samuel Kolowale, who heads the Nigeria Publishers Network, was elected as chairman.

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The new team also includes Mohamed Radi, from Egypt as vice chair. Members of the council are Mrs Christine Ekue from Togo, Mrs Gaulphine Nyirenda from Malawi, Mr Asare Yemoah Konadu from Ghana and Mr David Kibuuka from Uganda. The new team will be in office for a period of two years. The new team takes over from the previous office held by Brian Wafarowa, from South Africa, who was chairman and Ray Munamwimbu, from Zambia, who was treasurer.

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Mbugua’s new book a fitting tribute to Wangari Maathai

It would appear that matters to do with environmental conservation occupy a special place in Ng’ang’a Mbugua’s world. Yet, it is these conservation matters that fire his creativity. His last two books have all focused on environmental conservation as their central theme.
And while these issues might appear boring and the least likely subject of a novel, Mbugua has nevertheless breathed life into these otherwise mundane issues and crafted interesting stories around them.
Call him an NGO novelist, an environmental crusader/activist, and any other such names but the fact of the matter is that Mbugua’s books are immensely readable. This is a refreshing departure in an environment where captivating Kenyan writers are few and far between.
Mbugua’s foray into ‘environmental writing’ started with his book Susana the Brave, a primary school reader that talked about a teacher, who after being posted to a school in an arid area, went ahead and transformed the place due to her dedicated campaign to plant trees.
His second book, Terrorists of the Aberdare, addressed the delicate issue of human wildlife conflict and by extent, forest conservation.
And for his troubles Terrorists won the third edition of the Wahome Mutahi Literary Prize. The book was also short listed for the 2011 edition of Jomo Kenyatta Prize for Literature.


His latest book, Different Colours, and which I think is his most ambitious so far, has taken the game a notch higher. Not only has he written on his pet subject, he has fused it with the sublime world of Art.
Different Colours revolves around an imaginary waterfall in an equally imaginary Banana County, which is threatened by an unscrupulous merchant who starts to mine building stones from around the waterfall. The hero of the book is Miguel, a dreadlocked artist – don’t they all sport dreadlocks? – who, after hearing of the beauty of the waterfall decides that he must immortalise it on canvas.
It is while on one of his surveying missions that he accidentally bumps into a group of men hard at work in a secret quarry. The story unfolds after the owner of the secret quarry is alerted of Miguel’s nosiness.
Not that Dik Teita (note the play on the word dictator) hadn’t had his fears as to the ‘real’ intentions of the newly arrived ‘rastaman’. The moment he got wind of Miguel’s mission of painting the waterfall – word travels fast in Banana – he feared it was a matter of time before his secret quarry was discovered.
To prevent this, Dik Teita comes up with what he thinks is a convenient smokescreen; make Miguel paint the local cattle dip – who, in their right minds assigns such jobs?
Seeing as the cattle dip ruse didn’t work, Dik Teita resorts to intimidation and threats of violence. And who better does this dirty work than Vu Tabangi (bhang smoker) the village thug. Sadly for Dik Teita, the threats have the opposite effect on Miguel: his resolve to save the waterfall from destruction hardens. Together with Angela, a widow who also happens to be his landlady, they mobilise the local community on the importance of conserving the waterfall, which is their lifeline. They also enlist the services of Derek, Miguel’s friend, who is also a tech geek. Derek also has contacts in media.
Meanwhile, the noose tightens on Dik Teita and his goons. It also emerges that Dik Teita was behind the death of Angela’s husband.
While the waterfall conservation saga is engrossing I found the parts dealing with Miguel’s art most appealing. It is either that the author is an accomplished art connoisseur or that he had done thorough research on all that entails art, paintings and other forms of visual art.
Whatever the case, the informed discourse on art really uplifts
Mbugua’s book.
In Different Colours, art meets nature, and it is in the appreciation of the beauty of nature that Miguel’s talent and eye for detail enriches the conservation narrative.
Due to their unconventional behaviour society tends to misunderstand artists. Most of the times artists are seen as misfits. And Miguel was no exception; in one classic moment, Miguel is told that people come to the waterfall to commit suicide. “It is a good place to die,” he says more to himself, probably after being overawed by the beauty of the falls.
Throughout the book, the author teases romantics with the probable love affair blossoming between Miguel and his widowed landlady. Even at the end of the novel, he only hints at what might come between the two.
This book, in my view, is a fitting tribute to the late Nobel Laureate, Prof Wangari Maathai. Your work, Mama Miti, was not in vain.

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Surgeon wins Kenya’s top literary prize

Sunday Nation columnist Dr. Yusuf Dawood is the winner of this year’s Jomo Kenyata Prize for Literature award. His book, Eye of the Storm, beat two other nominees; Terrorists of the Aberdare by Ng’ang’a Mbugua, and Lone Dancer (EAEP) by Joe Kiarie to scoop the top prize in the English category. In the Kiswahili category the winner is Timothy Arege with his book Kijiba cha Moyo (Longhorn). In the English Youth Category Eva Kasaya’s book Tales of Kasaya (Kwani Trust) won the top prize, while Mlemavu si Mimi (OUP) by Ipalei Godfrey. In the children’s Englisifh category the winner was journalist Peter Kimani with his book Upside Down (OUP). The kiswahili category was taken by Q FM presenter Nuhu Bakari with his book Wema wa Mwana (Longhorn). Winners in the adult categories took home sh150,000 while those in the youth and children’s categories got themselves sh75,000 each. The Jomo Kenyatta Prize for Literature is awarded every two years and is sponsored by the Text Book Center.

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You can learn to dream again in spite of your failure

Most of us must have, at one point or the other, gone through a particularly traumatic experience; an
experience so painful that it leaves you thoroughly disillusioned and demoralised.
In most cases some of these experiences crush one’s spirit to the extent that if the person is not strong enough, they might give up on life altogether.
Take the case of the businessman who watches his life investments wiped out in a single tragic event.
Chances are that if this person did not have a fall back plan it is quite probable that he would find it really difficult getting back to where he was.
Or the person who, for one reason or the other, finds themselves unable to repay a loan they had taken, and the lending institution attaches the little property they had, in order to recover the loan.
And what about the politician who loses his seat in parliament and can ’t win back the seat in the
subsequent by -election? Examples of bad things happening to people abound. Well, the reality of life is such that these things happen, not only to the poor or the down trodden, but to the rich and successful. The question therefore is, how does one recover from such a setback and move on with life? In his new book; You can Dream Again, Pepe Minambo argues that success in life isn’ t just a matter of being the best; “Success is about handling the worst. It is being able to deal constructively with life ’s disappointments.”
Basically, what the book says is that no matter how difficult a position one finds themselves in, it is of no use dwelling on the past, as the painful past will only leave you feeling bitter and resentful. Yet the wheels of life keep turning, whether you are down or not.
Using research and personal experience, the author outlines steps through which a person, can follow with a view to overcoming a tragic
event, and leading a normal, even successful life.
Pepe, who is also a motivational speaker, says that the state of a person ’s mind has a lot to do with whether the person overcomes a tough situation or they remain destitute. He talks of people who ‘fall in love’ with their misfortunes and thus keep talking about them in the hope that empathise with them.
Pepe says that expressions of pity from people, though deceivingly comforting, do not help much. “The solution to your problem lies in
you,” he writes. “And the faster you realise this and start doing something about it the better. Remember when your dream goes up in smoke, do not sit back and start counting your losses; rather, stand up and start counting your blessings.”
The author says that one of the fastest ways overcoming a painful setback is to first of all accept the situation. Many people, he says, react to painful scenarios by going into denial. Take the example of the person who gets blinded after drinking an illicit brew.
If such a person goes into denial mode, he or she is setting themselves up for further heartbreak. Thus the faster such a person accepts their condition and starts learning how cope with the blindness, the better it will be for him to overcome that painful episode and move on with life.
Most of all Pepe tells people undergoing a painful patch that while it might be the first time it is happening to them, the reality is such
that it has happened to other people before. Thus it is not unique to them.
Pepe gives his own experience about how at some point in life he pumped his life’s saving into a diamond and gold business, in his home country of Congo. “At the time of getting into the business, I harboured dreams of turning into an overnight millionaire,” he
narrates. “Since I did not have any experience in that kind of
business it was clear from the
beginning was headed for failure.”
Instead of recognising failure when it first manifested itself, Pepe went into denial mode, and kept pumping money into the business in the
vain hope that the business would somehow turn around. “The more money I pumped into the business, the more of it went down the drain.”
Luckily for him he had the state of mind to accept the stark reality of failure. “I accepted the unacceptable and decided to mend the
broken pieces of my dream and start all over again. ”
Today, Pepe is a much sought after motivational speaker. With four motivational books to his name, Pepe gets invitations to give talks to
corporate organisations and schools around the country and abroad .
His other books are Be Inspired Before you Expire, Inspired for Greatness and a student’s handbook The Greatness Syndrome.
The beauty about Pepe’s book is that what he writes is grounded in reality and therefore easy to follow and
implement.

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literary prize judges announced

In case you have forgotten Kenya still has a literary prize called the Jomo Kenyatta Prize for Literature. I might also hasten to add that the Prize is administered by the Kenya Publishers Association (KPA) every two years.
Come October, at the end of the Nairobi International Book Fair a creative Kenyan will go home with a cool Sh150,000, this being the prize money for the award. I am hearing whispers to the effect that the prize money could be increased.
That being the case KPA has announced a three -judge
panel for this year ’s, yes they do have judges.
The panel is headed by Prof Henry Indangasi, who teaches in the Literature
Department of University Nairobi . The other members are Dr Tom Odhiambo also of University of Nairobi and Prof Wangari Mwai , the Director of Kenyatta University Campus in Nyeri . Mr James Odhiambo , the executive officer of KPA says this year’s award has attracted 19
Kiswahili titles and 33 English titles. “The judges panel should be able to announce the shortlisted titles by September , ” he explains .
“Winners will announced on October 1 during the 14th edition of the Nairobi International Book Fair.” And we shall tell you who the nominated authors are, come September. Er, we’re that good.

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Clashes author parts ways with publisher

Author Kinyanjui Kombani has parted ways with his publishers Acacia Stantex in regards to his book The Last Villains of Molo.
The move effectively ends a long drawn struggle between author and publisher that has lasted more than five years. The novel has been hailed as a powerful enactment of the 1992 ethnic violence and as a
premonition of the 2008 post election violence. We understand that the
split is the culmination of many months of conflict over unpaid royalties . The author is also said not to be happy
about the publisher’ s marketing and publicity plans .
When contacted, Kinyanjui was non-committal on the reasons for the split, only saying ; “ I have enough respect for Jimmi Makotsi – he made the book what it is and I do not want to malign
his name. But it is time to move on .” He admitted that he is in discussion with
other publishers to reissue the book, although he did not give names. The Last Villains of Molo has enjoyed some level of publicity in the print and electronic media and on social forums . It is currently a study text in Moi, Kenyatta, Daystar and Egerton
Universities and is a subject of several Masters and one PhD theses. Plans are
underway to produce a stage version of the book in an upcoming festival , and a local film producer has expressed interest in shooting the film
based on the novel . The writer has also written two other children’s books and scripted a film. He has finalized work on another novel . Kinyanjui says that, as part of the termination agreement , he purchased
all stock copies of the book from the publisher, and they are currently on sale via his website
www .kinyanjuikombani.com

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Burt Prize to be launched on Wednesday

The National Book Development Council of Kenya (NBDCK) will on Wednesday, January 19, launch the William Burt Prize for African Literature at the Kenya National Library Services headquarters.
The award promises to be the most prestigious in the Kenyan literary scene, with the winner taking home Sh1 million (12,000 Canadian Dollars).


The Award is being administered in Kenya by the National Book Development Council of Kenya (NBDCK) with support from the Canadian Organisation for Development through Education (CODE). It is named after William Burt, a Canadian citizen who is a long time supporter of CODE.
According Ruth Odondi, the CEO of NBDCK, the Burt Award seeks to recognize excellence in young adult fiction, with the goal of increasing the literacy skills while at the same time nurturing a reading culture.
“As NBDCK, we are particularly concerned that school going children, particularly in the rural areas, do not have access to supplementary reading materials, which, in our view, has a negative impact on the quality of education,” she adds.
It is in pursuit of those goals that the Burt Award will consider works that target young readers between the ages of 12 and 18. She says that the Award committee will work closely with publishers for purposes of submission of manuscripts, which will then be assessed by a panel of judges who will then come up with the first three winners.
The second prize is worth Sh500,000 (6,000 Canadian Dollars) while the third prize is worth Sh250,000 (3,000 Canadian Dollars).
“We are inviting writers to come and get first hand, details of the competition,” says Mrs. Odondi.

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You can win a cool one million shillings, if you write

For a long time now there have been concerns that literary prizes in
the country do little to encourage writing. This was before the Jomo
Kenyatta Prize for Literature, the most prestigious literary award in
the country, tripled its prize money to Sh150,000.
Henry ole Kulet was the first recipient of this vastly improved prize
money, when his book Blossoms of the Savannah won the 2009 edition of
the Award. While this is a welcome move, some observers however
believe it is not enough as the Award comes after two years.
On the other hand, the Wahome Mutahi Literary Prize, also biannual,
still gives out Sh50,000 as its top prize, which is not commensurate
to the effort a writer puts in writing the book. Credit should however
go to the Kenya Publishers Association (KPA) who administer the two
prizes, and which happen to be the only consistent literary prizes in
Kenya.
The situation is however set to change fundamentally with the
introduction of the William Burt Prize for African Literature. If for
nothing else, the prize money involved in this award will most
probably get writers rediscovering their muse and going back to
putting pen on paper; After all, it is not everyday that a Kenyan
writer gets a cool Sh1million!

Ruth Odondi, the CEO of NBDKC (right) with Sean Maddox, CODE's director for development

The prize is being administered in Kenya by the National Book
Development Council of Kenya (NBDCK)
with support from the Canadian
Organisation for Development through Education (CODE).
The Award is named after William Burt, a Canadian citizen who is a
longtime supporter of CODE. According Ruth Odondi, the CEO of NBDCK,
the award seeks to recognize excellence in young adult fiction from
Africa, with the goal of increasing the literacy skills while at the
same time nurturing a reading culture.
“CODE and its partner organizations, which include NBDCK, have long
been involved in supporting the provision of a wide variety of reading
materials in various countries in African, Asia, the Caribbean and
Latin America, as a means of developing and supporting literacy skills
and opening up of new ideas, perspectives and awareness about social,
cultural and other relevant issues,” explains Mrs. Odondi.
She adds that the Burt Awards is therefore designed to build on the
strength of CODE’s literacy initiatives by supporting and motivating
the development of supplementary reading materials for a critical
stage of learning.
“As NBDCK, we are particularly concerned that school going children,
particularly in the rural areas, do not have access to supplementary
reading materials, which, in our view, has a negative impact on the
quality of education,” she adds.
It is in pursuit of those goals that the Burt Award will consider
works that target young readers between the ages of 12 and 15. She
says that the Award committee will work closely with publishers for
purposes of submission of manuscripts, which will then be assessed by
a panel of judges who will then come up with the first three winners.
The first, second and third prizes are valued at Canadian $ (CAN)
12,000, (Ksh945,600) 6,000 (Sh472,800) and 3,000 (Sh236,400)
respectively.
The fact that publishers will be involve in the process means that the
winning entries will be assured of getting published. It gets even
better for the writers; not only will they be published, they will be
assured of getting 3,000 to 5,000 copies of their books automatically
purchased by NBDCK.
“These copies will be distributed through CODE’s partner organizations
network of schools and libraries,” she adds.
Any author worth their salt will testify that getting to move 5,000
copies of a work of fiction that is not a set book, in Kenya, is a
tall order indeed.
“This project comes bearing goodies for the whole book chain right
from the writer, the publisher, printer to the booksellers,” explains
Mrs. Odondi.
Onduko bw’Atebe whose book Verdict of Death won the inaugural edition
of the Wahome Mutahi Literary Prize, in 2006, says the Burt Award will
be play a big role in developing writing in Kenya. “You see when the
prize money is big, the writing profession will get the respect it
deserves as opposed to now when it is seen as pass time for idle
people with nothing much else to do,” he says. “This is a massive step
if you consider that I only got Sh50,000 for the award.”
In 1997, Ngumi Kibera’s collection of short stories The Grapevine
Stories won the Jomo Kenyatta Prize for Literature and for his
troubles he got a measly Sh30,000. “A million shillings is definitely
good money for a struggling writer,” he says. “The writer is
definitely the winner as apart from the prize money, they are
guaranteed of having about 5,000 copies of their book sold, which
means more money in terms of royalties.”
On her part, Mrs. Nancy Karimi the chairperson of KPA says the Burt
Prize, with its enhanced prize money will encourage authorship. “It is
not just the writers who will benefit from the package, publishers too
will gain as they will as 5,000 copies will be bought at a go,” says
Mrs. Karimi who is also the managing director of Jomo Kenyatta
Foundation.
Mr. Muriuki Njeru, the managing director of Oxford University Press
says that small publishers also stand a chance to gain from the
arrangement, “When a small publisher has the opportunity of moving
5,000 copies at a go, the rest of the copies will not be difficult to
sell,” he explains.
Mr. Muriuki sees the Kenyan writing scene moving to the next level
once the Burt Prize comes to effect. “Our writing scene has really
come of age as evidenced by the fact that more and more Kenyans are
willing to buy books outside the school setting,” he adds.
Mrs. Odondi says that details about the rules and regulation of the
award will be announced during the launch, which will take place on
January 19. “Once we launch the prize, we are going to give writers a
nine-month grace period so as to prepare the manuscripts,” she says.

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Blame it on Sheng…er, at your own risk

Whenever explanations are sought on poor performances, in English or Kiswahili, in national exams, Sheng is always on the surface waiting to be summoned, on short notice, and vilified for being such a diabolical influence on these two ‘pure’ languages.

Ever since it came into existence, Sheng has always been considered the bastard child in the family of Kenya’s languages. All ‘nice and proper’ Kenyan languages, including mother tongues, have a thing or two against Sheng.

That bile notwithstanding, today, Sheng has become the unofficial language of the masses. So popular has Sheng become almost every Kenyan wants to be identified with the language.

The popularity of Sheng has to do with its accommodative nature. It borrows generously from Kiswahili, English, and local Kenyan languages, thus there is something for every person who uses it. What is more, unlike other languages we know, Sheng does not discriminate according to class.

Maybe the scholars who are accusing Sheng of various ills should explain why a language not taught in schools is giving established languages like English, and Kiswahili, which are taught up to university level, sleepless nights.

Sheng came into existence sometime in the sixties and was invented, out of necessity, by young people who needed to understand each other and lock out patronizing adults from their conversations. It can be argued that Sheng is a product of early urbanization by Africans during the colonial period.

When the white man embarked on the colonial adventure he knew that in order to make the natives answerable to him he had to severe the cords that held together African communities. One way of doing this was by monetizing the economy and introducing mandatory taxation for every African adult. Africans were thus forced to seek employment in order to raise money with which to pay taxes.

And since Nairobi was the seat of government, Africans from different communities settled there in search of employment. Meanwhile these immigrants got children who in order relate with each other had to come up with a mode of communication that was acceptable to them. That is how they borrowed from English, Kiswahili and their native tongues, thereby giving birth to Sheng. Thus, at that time, Sheng served two major roles; one was a metaphorical meeting place between young people drawn from the various communities, and two as an avenue where they could discuss their own issues without having to worry about nosy adults.

Today, with the urbanization of other towns around the country, Sheng has been decentralized to a level where every urban centre has its version of the language. Now back to our question; why is a language picked up informally in the streets threatening languages that are taught in schools? Or to put it in another way, should languages teachers borrow a leaf from Sheng and make teaching of English and Sheng more interesting? One of the key attractions of Sheng is that apart from being quite expressive it is fun to use.

However, top of all, and what really freaks out educationists, is the fact that there are no rigid rules governing the usage of Sheng unlike in English and Kiswahili. I, for one, do not buy the argument that Sheng can affect performance in other languages. Recently, when Prof Ngugi wa Thiong’o was in the country for the Kwani Litfest, he said that in order to be proficient in any language one has to be patient and take time to study that it. Ngugi was responding to claims by some Kenyans that their local languages are ‘difficult’ to read.

“Even European children were not born with automatic knowledge of their language,” said Ngugi. “They have to go to school and learn their languages.” It is the same with Kiswahili and English. Students need to take keener interest in their studies in order to be proficient in those subjects.

Blaming Sheng is therefore a lazy man’s way of explaining things. It all boils down to discipline; knowing when to use what language; just like you can’t wear pajamas to work, or a suit to the shower.

And if Sheng is the evil that is made out to be, why are all companies falling over themselves to use it in their advertising slogans? Picture a copy writer, who grew up being told that Sheng is a language to be avoided at all costs, who now finds a bosses ordering them to come up with “appropriate phrases in Sheng!” Woe unto you if you followed the advice and avoided Sheng like the plague.

It is ironical that the scholars and educationists turning blue in the face badmouthing Sheng had no problem teaching Chinua Achebe’s Man of the People, a novel written almost entirely in Nigerian pidgin. Did you know that scholars in Europe and the US are so fascinated in the phenomenon that is Sheng that they are studying it at PhD level? You heard it right, PhD level! Don’t be surprised the next time you visit a prestigious university in the West and encounter a white Sheng expert, and they are many. And these so-called experts travel all the way to Kenya to do their research.

So, instead of giving Sheng a bad name, we should instead embrace it and milk it for all its worth. We could start by establishing research centres, where all those foreigners can pay to get information. Finally, and at the risk of being lynched by policy makers, I would suggest that some courses, like IT, be offered in Sheng. You would be surprised by how well it might be received. C’mon people, can’t we try something different for a change? It is President Obama who keeps mocking people who keep on doing the same things yet expecting different results.

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Writing the story of Henry Wanyoike

This story first appeared in the premier edition (July – September 2010) of The Kenyan Runner, the one that had David Rudisha on the cover – ha, I had to say that – It has since changed names to Runners Magazine.

When he got blinded in 1993, Henry Wanyoike had no idea which direction his life would take. Not that he had much of a life anyway. He had just finished his Form Four studies, and not having performed well, he had taken up a job as a lowly village cobbler.

Well, he had an ace up his sleeve; he sure could put his legs to good use, and boy could he run? Sadly, with his sight gone there was no way he could run, right? Wrong. Wanyoike is today one of the most celebrated blind athletes in the world. Not only is he a multiple Olympic gold medalist, he has also shattered a number of world records in long distance running.

The best part of it however, is that through his efforts he has helped restore the sight of close to 20 million people worldwide, who would have otherwise been blinded by preventable cataracts.

Through the Greatest Race on Earth, sponsored by the Standard Chartered Bank worldwide, Wanyoike participates in all their charity runs and raises funds to help rehabilitate those with cataracts. Not to mention the numerous charity efforts his Henry Wanyoike Foundation does for the less fortunate in the Kenyan society.

Well, for someone with such a massive profile, it was only natural that the story of his life be told in book form. Well, it all started with a conversation with a friend of mine, who had gone to high school with Wanyoike. That was around the time he made history by winning his first Olympic gold medal at the Sydney Paralympic Games, in 2002.

Then, I was a journalist with the Sunday Standard, where I penned his first ever full-length profile. Naturally after that our friendship grew, just as his achievements on the track. When in 2007, I suggested the idea of me writing a book about his life, there was not much objection.

And being in good terms with most publishers in the country, I had no problem getting one who would publish the manuscript. Not only did the publisher agree to the proposal, the also agreed to fund a four-day retreat in an exclusive resort in the Rift Valley, where the bulk of the interviews were done.

Henry Wanyoike (left) and yours truly at the Lake Naivasha Country Club where we did the bulk of the interviews

The release of the book coincided with the 2009 edition of the Nairobi Standard Chartered Marathon, where we sold a decent number of copies, to readers who also had the good fortune of having the book signed by Wanyoike and his guide.

Plans are underway to sell rights for the book internationally as well as making it available online. Next stop: Doing a movie out of the book, and suggestions here are welcome. Royalties realised from the sale of the book go towards the Henry Wanyoike Foundation.