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Mwangi Gicheru: an obituary

gicheru

The Kenyan literary scene is the poorer following the death of Mwangi Gicheru, the man that brought you the novel Across the Bridge. Gicheru, who was running a restaurant business in Mombasa’s Mtwapa, died in his sleep on the eve of Sunday May 4.

Across

According to family members His body was discovered on the morning of Sunday, March 4, after he failed to wake up. Workers reported the matter to the local police who gave the go-ahead for the house to be broken into. The body was taken to the Pandya Memorial Hospital Mortuary. Post mortem results determined the cause of death to be heart attack.

Gicheru will be fondly remembered by hordes of book lovers who devoured his book Across the Bridge in the late 70s, 80s and 90s. Across the Bridge, though not his first title, became many a readers’ favourite and catapulted Gacheru to the peak popular literature, alongside the likes of Charles Mangua (Son of a Woman), Mwangi Ruheni (The Minister’s Daughter) and Daivid Maillu.

Across the Bridge tells the story of an impossible love between a poor young man (Chuma) and Caroline the daughter of rich man Kahuthu. Chuma was a houseboy at the Kahuthus household.

One thing leads to the other and Chuma gets Caroline in the family way, a thing that makes Kahuthu livid. Chuma feels the only way of getting acceptance by the Kahuthus, and perhaps getting Caroline’s hand in marriage is through making money of his own. The path he chooses to riches lands him in trouble with authorities and into jail, hence the book’s famous opening: Hail jail the place for all; the only house where a government minister and a pickpocket dine together, work, discuss matters on equal terms.

Gicheru is a man whose life is mirrored in his art. His other book Two in One is based on his experience after his eight-month old daughter was stolen by a house girl, in 1979. The baby was never found. The book tells the story of barren women who steal other people’s children. “… over the years, living without my daughter has taught me that biological parents are but just instruments of bringing a baby to the world,” he told The Standard – then East African Standard – in a 2001 interview.

Perhaps it the experience of losing a daughter to theft that influenced his decision to adopt two girls.

His other books included The Ivory Merchant, The Double and The Mixer. Later in life he wrote a children’s book The Ring in the Bush published by Longhorn. He had, in mid last year, announced that he was in the process of turning Across the Bridge into a movie.

In 2009 Gicheru wrote A Handful of Terere, a post humous biography of Samuel Mbugua Githere. In an interview he told this writer that the family of the late Githere asked him to research, compile and write the story of Githere, a prominent Nairobi businessman who had died of a stroke related illness in 1997. Githere had been a contemporary of the late business magnate Njenga Karume and it is him who introduced Njenga into the world of business.

During the launch of the book, at Njenga’s Jacaranda Hotel, Njenga told the gathered audience that he had wanted to continue with his education with a view to becoming a lawyer but Githere prevailed upon him to drop his studies and make money instead. “Githere told me that if we made a lot of money we would hire as many lawyers as we wanted,” said Njenga. That ‘prophecy’ turned true.

Gicheru said that writing Terere – published by Longhorn – was his most challenging assignment as writer but also one that he found immensely satisfying.

At the time of his death Gicheru was the proprietor of Animo Resort in Mtwapa. The joint also hosted Gikuyu and Kiswahili plays some of which he wrote himself. The late Wahome Mutahi used to bring his Gukuyu cultural plays at Gicheru’s establishment.

Gicheru was born in 1947 in Kiamwangi near Karatina, in Nyeri County. He attended Kiamwangi Primary Up to Standard Eight before joining St Mary’s High School also in Nyeri. He briefly worked as a clerk with the Ministry of Lands before joining the then East African Airways. He later left paid employment to start his own business. He spent most of his business life in Mombasa.

He married Nancy Wamuyu 1972. The couple had three biological daughters – including the stolen one – and two adopted daughters. He had two grandchildren. He was buried in his Gakawa Farm in Nanyuki on Tuesday, May 13, 2014.

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Unsellable art: What you need to know

Below is a press statement from the Network of Kenya Visual Artists (NKVA), who will be holding an exhibition, at the National Museums of Kenya starting Tuesday May 21 to June 4, 2013, titled Unsellable Art

Unsellable_Art_Exhibition_Facebook_Cover_photo_8th_May

50 years on; it is about time that visual arts in Kenya had a vital voice for good governance

Since its inception with collaboration of the Ministry of Justice, National Cohesion and Constitutional Affairs through one of their initiatives, the Non State Actors Support Programme (NSA – NET), together with the European Union and the National Museums of Kenya, the Network of Kenya Visual Artists (NKVA) became the first national network ever put together by visual artists.

NKVA has come at the right time with the ushering in of a new government. A key agenda of the new government is job creation. The NKVA realizes this quest, and more so because it is embracing the concept of collective action for more economic empowerment. By sharing information, communicating better and finding viable solutions to artists’ common challenges, the network hopes to create more demand for art as well as sensitize the general population about art, for better engagement and business.

NKVA convinced that the myth that art is expensive can be addressed by repackaging it and also communicating the same to the target market. The quest for aesthetics in homes is intensifying especially with the expanding middleclass and therein lies the market that needs to be satisfied.

This power of unity amongst Kenyan artists will serve to protect the Kenyan artist from exploitation by middlemen and also encourage upcoming artists to pursue art as a career that can generate continuous and predictable income.

NKVA will use the one year it will be under the umbrella of NMK to reach out to all visual artists nationally and establish regional links. The exhibition questions where art in Kenya is today as Kenya prepares her jubilee celebration of 50 years.

This art exhibition “Unsellable Art” is an exhibition of extreme expressions by artists that address matters that touch on society and the individual. The concept is what is being referred to as ‘unsellable’ because normally people want to buy a piece of art that is ‘nice’ and beautiful with happy themes. Nobody wants to buy a painting that will remind them of injustices and other ‘uncomfortable’ issues of society. Unsellable does not mean the art works are ugly, on the contrary they are very beautiful pieces, strong and done by some of the top artists in Kenya. It is when one looks closely that they see the theme.

 The artists were given the freedom to showcase those pieces of art that they feel have a story behind them. Each art piece is accompanied by a caption so that the audience will be able to explore and interrogate the mind of the artist. Similar exhibitions by NKVA in the regions are taking place at Mombasa (Alliance de Mombasa 17 May – 7 June) and Kisumu Museum (25 May – 8 June)

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Judges announced for the Kwani? Manuscript Project

The shortlist for the Kwani? Manuscript Project will be made in April 2013 and the winners announced in May 2013. The Kwani? Manuscript Project was launched in April 2012. Kwani Trust called for the submission of unpublished fiction manuscripts of between 45,000 and 120,000 words from African writers across the continent and in the diaspora.
At stake is a Ksh 525,000 (equivalent of 6000 USD) cash prize. The winners and longlisted entries will be considered for publication by Kwani Trust and by regional and international publishing partners.


“we have received an amazing 282 unpublished fiction manuscripts from 19 African countries including at least 5 submissions from Rwanda, Zambia, Cameroon and Zimbabwe, more than 10 submissions from Botswana, Ghana and Uganda, over 20 submissions from both South Africa and the Diaspora, and over 65 submissions from both Kenya and Nigeria,” says a statement from Kwani. “The number of entries has significantly exceeded our expectations – 50% of the submissions were sent two weeks before the 17th September 2012 deadline.”
The judging panel will be chaired by Sudanese novelist Jamal Mahjoub. Working with him will be a panel that includes the editor of Zimbabwe’s Weaver Press Irene Staunton, leading scholar of African literature Professor Simon Gikandi, Chairman of Kenyatta University’s Literature Department Dr. Mbugua wa Mungai and internationally renowned Nigerian writer Helon Habila.
“All submissions will be read anonymously as the judges look for new voices that explore and challenge the possibilities of the ‘African novel’. Kwani Trust will partner with Chimurenga in South Africa and Cassava Republic in Nigeria to further promote the prize,” added Kwani.
The Chair of Judges is Jamal Mahjoub, an award winning writer of mixed British/Sudanese heritage. He has written seven novels including The Drift Latitudes, Travelling with Djinns and The Carrier. His writing has been widely translated and has won a number of awards including the Guardian/Heinemann African Short Story Prize, the NH Vargas Llosa prize and the Prix d’Astrobale. He has also been the chair of the Caine Prize for African Writing.
Irene Staunton, co-founder of Weaver Press in Zimbabwe. She is the editor of the short story collections Writing Still: New Stories from Zimbabwe, Laughing Now: New Stories from Zimbabwe, Women Writing Zimbabwe and Writing Free.
Simon Gikandi, Robert Schirmer Professor of English at Princeton University and editor of PMLA, the official journal of the Modern Languages Association (MLA). He was born in Kenya and graduated with a B.A. [First Class Honors] in Literature from the University of Nairobi. His publications include Reading the African Novel, Writing in Limbo: Modernism and Caribbean Literature, Maps of Englishness: Writing Identity in the Culture of Colonialism, The Columbia Guide to East African Literature in English Since 1945 and Ngugi wa Thiong’o.

Dr. Mbugua wa Mungai, Chairman of the Literature Department at Kenyatta University. He received his PhD from the Hebrew University of Jerusalem for a thesis exploring identity politics in Nairobi matatu folklore. His research interests include urban folklore, popular
culture and disability. He is the editor of Remembering Kenya Volume 1: Identity, Culture and Freedom.
Helon Habila, author of Waiting for an Angel which won both the Commonwealth Writers Prize and the Caine Prize for African Writing. His second novel, Measuring Time, was published in 2007, won the 2008 Virginia Library Foundation Fiction Award and was shortlisted for the 2008 Hurston/Wright Legacy Award. His third novel, Oil on Water, was
published in 2010 and was shortlisted for the 2011 Commonwealth Writers Prize and the Orion Book Award.

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Dr Margaret Ogola’s voice from the grave

She introduced herself to Kenya and the world with her evergreen novel The River and the Source, at a time when Kenyans were starting to wonder who would step into Ngugi wa Thiong’o’s gigantic shoes. Readers instantly fell in love with the book.

The cover of Dr Margaret Ogola’s new book

And to prove that it was no fluke, the book won the 1995 edition of the Jomo Kenyatta Prize for Literature, Kenya’s most prestigious literary award. That was not enough, the same year, the book also clinched the Commonwealth Writers Prize for Africa. In between becoming a school set book in Kenya, it became the most translated Kenyan novel aside of Ngugi’s books.

In this book, Dr Ogola tackles the issues of women’s rights with such clarity and authority that people who have studied it say it has contributed a lot to the increased number of liberated women in Kenya today – women who do not necessarily have to rely on men for their survival.

Sadly for her readers, Dr Ogola passed on in September Last year. She had been battling cancer for some time. Although her subsequent books did not enjoy the success that met The River and the Source, she nevertheless continued writing in spite of her busy schedule as a medical doctor.

Her last novel was Place of Destiny which told the story of Amor, a woman, a mother and wife, who had cancer, which later killed her. At the time this book was published, around 2007 I doubt many people knew that Dr Ogola was herself also suffering from cancer. Could it be that she was writing about herself, and actually foreseeing her death?

It takes a person of extra ordinary courage to actually talk about their imminent death. Dr Ogola went further, she wrote about it! Here is a woman who was suffering from a terminal ailment, but did not let it bog her down. She even came to terms with the inevitable death.

Now she has gone one better; she is now ‘talking’ with her readers from the grave! Focus Publishers, who published The River and the Source are soon to release Mandate of the People. The new novel talks about an imaginary country that goes into elections. In this book the reader will encounter the typical Kenyan politician, who will cut corners, even kill, to achieve what they want; that coveted seat in Parliament.

And by coincidence Kenya is in the throes of a watershed election slated for sometime next year, the first after 2007 elections whose bloody aftermath left over a thousand Kenyans dead, and hundreds of thousands displaced.

Could Dr Ogola’s voice from the grave contain prophetic wisdom? You only have to get a copy and discover for yourself.

According to Ms Serah Mwangi, the managing director of Focus Publishers says the manuscript of Mandate of the People was handed to them by Dr. Ogola just before she died.

Her other books include I Swear by Apollo (Focus), which is a sequel to The River and the Source and Place of Destiny, published by Pauline’s Publications. She also teamed up with Margaret Roche to write Cardinal Otunga: A Gift of Grace, a biography of the late cardinal Otunga. She also co-authored Educating in Human Love, a handbook on sex education with her husband Dr. George Ogola.

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Brace yourselves for SK Macharia’s explosive autobiography

S.K. Macharia is a household name in Kenya today. If there is one word that can sufficiently describe the man, then that word is tenacity. Here is one man who decided that he was going to build a media empire and went ahead to build one.

His dream, Royal Media Services, was hatched during the reign of retired President Moi. Those who know how Moi operated will tell you that it was the very wrong time to establish a media outfit, especially for a man who was perceived to be anti-establishment.

At one point Macharia’s broadcasting equipment were seized by the State, thereby switching the fledgling Citizen TV off air. This was not enough to deter SK, as he is known to many. Come 2002, Citizen TV had become so popular among ordinary Kenyans that it became the official mouthpiece of the Narc campaign, which was to send the then ruling party Kanu, packing.

The State broadcaster, KBC, which was being used by the government to relay Kanu propaganda, had lost the trust of Kenyans. It has yet to recover.

Despite a minor blip when the ODM juggernaut perceived the station to be pro Kibaki’s Banana wing in the campaigns for the constitutional referendum, in 2005, Citizen TV is the channel with the highest ratings in Kenya today.

You will also recall that incident when after Patrick Quarco’s Radio Africa poached a number of radio announcers from Royal Media’s Citizen Radio. What happened after that? Frequencies for Radio Africa’s stations, namely, Kiss and Classic were severely tampered with, leading to Radio Africa lodging a complaint with the Communications Commission of Kenya (CCK). It was alleged that Macharia and Citizen were behind the whole mess.

You should also bear in mind that SK has the memory of an elephant; he does not forget it if you cross his paths. He has a reputation of being a tenacious litigant. If you doubt me, ask retired President Moi and most recently Justice Martha Koome. SK, who recently celebrated his 70th birthday, is also reputed to be very faithful to his friends, and that is why you will find a number of people in his companies, whose sole reason for earning a pay check is their friendship to SK.

In short, what I am trying to say is that SK’s life is quite colourful, and would make for great reading. And that is precisely why Moran Publishers are set to release his autobiography, aptly titled Tenacious Courage. David Muita, the managing director of Moran Publishers says the book should be released to the public by the end of the month.

“Readers should brace themselves for a very interesting book,” says Muita. “First and foremost SK is a very inspirational figure both to the young people and aspiring businesspeople.” And for the young ones Moran will be releasing a junior edition of the book at a later date.

With the release of SK’s book, one thing is clear though, it is going to be a major talking point, especially now that the country is caught up in the throes of next year’s watershed elections.

We predict that a few people will threaten to go to court. Yes, it is that explosive!

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Mbugua takes the Wahome Mutahi Prize, again!

Nation journalist Ng’ang’a Mbugua, is this year’s Wahome Mutahi’s Literary Prize winner with his book Different Colours. This makes it two times in a row that he has won the prize.

Ng’ang’a Mbugua (Left), is all smiles as he receives his winner’s certificate from Prof Egara Kabaji, who was the chief guest at the ceremony

In 2010, he won the same prize with his other book Terrorists of the Aberdare. Different Colours is published by Big Books. Ng’ang’a’s book beat a formidable competition from Dr Yusuf Dawood’s book Eye of the Storm (East African Educational Publishers) and David Mulwa’s book, We Come in Peace (Oxford University Press). Eye of the Storm won last year’s edition the Jomo Kenyatta Prize for Literature.

In the Kiswahili category Jeff Mandila’s book, Sikitiko la Sambaya (JKF) was the winner, beating other nominees John Habwe’s Pamba also published by JKF and Mwenda Mbatia’s Msururu wa Usaliti (EAEP). The two winners took home cash prizes of Sh50,000. John Habwe won the Kiswahili prize in 2010 with his book Cheche za Moto.

The Wahome Mutahi Literary Prize is held every two years in honour of the late humourist and novelist Wahome Mutahi of the Whispers column fame. It is organised by the Kenya Publishers Association and held at the end of the annual Nairobi International Book Fair, which was in its 15th edition.

The judging panel was led by Prof Henry Indangasi of University of Nairobi, Prof Wangari Mwai of Kenyatta University and Dr Tom Odhiambo of University of Nairobi.

Ng’ang’a Mbugua, who is the chief sub editor of Business Daily said that he was happy to have won the prize two times in a row saying that it was testament of the hard work he put into his writing.

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Finally, someone won Sh1 million; from writing!

Anthony Mugo is probably the richest author in Kenya today. On Friday evening he won Sh1 million in the inaugural Burt Award for African Writing. The Burt Award, administered by the National Book Development Council of Kenya (NBDCK), is the richest literary award in Kenya’s history. His manuscript titled Never say Never has been published by Longhorn Publishers and is out on sale.

The Burt Award is a partnership effort between NBDCK and the Canadian Organisation for Development through Education (CODE), with the support of a Canadian patron Mr. Bill Burt, after whom the prize is named. The award is aimed at encouraging authorship as well as a reading culture among Kenyan children.

Anthony Mugo (center) receives a dummy check for Sh1 Million from Prof Chris Wanjala, that chairman of NBDCK (Right) and Mrs Ruth Odondi, the CEO of NBDCK. At left is Geoff Burt, son of Bill Burt, who graced the occasion.

37-year-old  Mugo, who until July was a credit officer with a micro finance company says writing is not new to him. “I have been writing for the last twenty years only that I have never been published,” he explains. In 2009, he participated in another NBDCK organised writing competition, where he won with his manuscript Too Innocent to Die. In 2010 he again participated and emerged victorious with another manuscript, Not a Drop. Mugo, who is married with two children graduated from Moi University with a BA in Economics.

Coming in at second position was Edward Mwangi, who took home Sh500,000. His manuscript, The Delegate, was published by Moran Publishers and is also on sale. The 32-year-old, who has just completed his MBA from Nairobi University, works as a general manager for an engineering company in Nairobi. Mwangi, who is also married with two children says his perseverance has finally paid off. “Every morning before I start working, I write for an hour and another hour after work,” he explains.

In third position was Ngumi Kibera, with his manuscript titled The Devil’s Hill, which is published by Longhorn. Mr Ngumi, who is an established author, won Sh250,000. He is not new to winning; His other book, The Grapevine Stories, a Collection of short stories, won the 1997 edition of the Jomo Kenyatta prize for Literature.

Ngumi is full of praises for the Burt Award saying that it is a timely effort that will take Kenyan writing to the next level. “There is a lot of writing talent in Kenya only that our publishers are not aggressive enough to tap them,” he said. “The fact that there were 400 submissions for this prize is testimony of raw writing talent out there waiting to be discovered.”

Also present during the awards ceremony, held at the Silver Spring Hotel,

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Miguna’s book: Nothing new so let the readers decide

This is what I wrote on June 6, 2012. I trust is makes sense…

When Raila Odinga advisor turned-bitter foe, Miguna Miguna announced that he would write a book, which among other things, would reveal the Prime Minister’s ‘dark secrets’, it generated a lot of debate among Kenyans.

Expectedly, and like anything mildly controversial about the prime minister, the reaction to the announcement was split down the middle. On the one side, there are the PM’s supporters who strongly feel that the book should not be published at all, as it would complicate his chances, seeing as we are headed to a crucial election, where he is contesting the presidency.

Then there is the other group made up mostly of the PM’s detractors – read enemies, as this is Kenyan politics – who are rubbing their hands almost in malicious glee, hoping that contents of the book will be ‘damaging’ enough to derail his quest for presidency.

Miguna Miguna

From the reaction alone, it is quite clear that Peeling Back the Mask – shouldn’t it be Peeling the Mask? – is one highly anticipated book, by Kenyans here and in the diaspora. Even foreigners will be itching to catch a glimpse of the book; such is the nature of international profile the prime minister has cultivated for himself.

I am sure even the people who are opposed to the idea of the book will be among the first people wanting to lay their hands on the book, if only to seek to counter the ‘bad things’ that have been written about their hero.

It is therefore quite clear, from the foregoing, that aside from the politics and personal differences between the PM and Miguna Miguna, what makes the book such an ‘attractive’ prospect is the seemingly larger-than-life status of Raila Odinga.

Though he might be loath to admit it, Miguna knows that even with Kenya’s notoriously poor ‘reading culture’, his book might get a ‘good’ reception just because it is on Raila Odinga. And he might get good returns out of it all.

Whether by design or by default, the prime minister is the most talked about politician in the country today -never mind that most of it might not be positive.

To be sure, the PM, is President Mwai Kibaki’s biggest nightmare; you only need to look back at troubled 2007 presidential election, and the enforced coalition to know this.

Retired president Moi does not exactly have warm thoughts about the PM, seeing as he joined his party Kanu, only to ‘wreck’ it from within. Yes, it is largely Odinga’s efforts that put paid Moi’s desires to have Uhuru Kenyatta succeed him as president in 2002.

And were it not for stakes involved in the forthcoming presidential elections the PM would be enjoying himself seeing all the ‘serious’ presidential candidates ganging up to deny him the much coveted seat. All this points to his potency and influence.

With such a background, now you see why the book is likely to be a ‘hit’.

Politics, controversies and intrigues aside, Miguna’s book begs to be looked at from a purely artistic point of view. Since its selling point is Raila Odinga we can safely say that it falls under the genre of an unauthorised biography. And whenever you talk about unauthorised biographies, Jerome Corsi’s The Obama Nation easily comes to mind.

Among other things, The Obama Nation was intended at derailing Barack Obama’s first attempt at the US presidency, like he did with his earlier book Unfit for Command, which is said to have contributed to the failure of John Kerry’s attempt to challenge George Bush in his last term as US president.

Yes, The Obama Nation, is the book Corsi attempted to sensationally launch in Nairobi, when the Kenya government unceremoniously sent him packing.

So to answer you, what Miguna is attempting is perfectly in order.

Still, on Obama, today, the American president is the subject of a lot of unauthorised biographies in the US, and they enjoy prominence of space alongside Obama’s autobiographical works, Dreams of My Father and The Audacity of Hope.

Closer Home, and in South Africa, David James Smith, in 2010, released a controversial book titled, Young Mandela: The Revolutionary Years, which was basically an unauthorised biography of South Africa’s first post-apartheid president. The book, among other things, detailed alleged sexual immorality and infidelity by Mandela. It also alleges that the South African icon had a child with his one-time secretary, and who is reported to have contributed to the breakdown of Mandela’s first marriage.

Tiger Woods, who underwent a rough patch after allegations of infidelity cost him his marriage, also became a ripe target of unauthorised biographies. His former coach Hank Haney, early this year released a ‘brutally candid’ account of Wood’s indiscretions in a book  titled The Big Miss. In his defense an unapologetic Haney said: “Tiger Woods didn’t have an exclusive on memories, so I wanted to share them. It’s an insight into Tiger that most people wouldn’t be able to enjoy.

“When you’re around greatness, like I was for six years, you’re asked about it and you want to talk about it. That’s what I have done.” No doubt, those are sentiments Miguna shares in private.

We also have Kenyan examples of unauthorised biographies on famous personalities. Journalist Ng’ang’a Mbugua wrote Mwai Kibaki: Economist for Kenya for Longhorn’s Junior Biographies. He followed it later with Catherine Ndereba: The Marathon Queen.

Early last year former Bahari MP, and who was Vice-president Kalonzo Musyoka’s confidant caused a ripple when he published Politics of Betrayal a book that painted the vice president as a selfish, scheming politician, who will not hesitate to undermine a friend when he stands to gain something.

And with the impending launch of Miguna’s book, the former advisor to the PM takes the cake in terms of controversy, not forgetting its sheer nuisance value.

Maybe its time Mbugua thought of upgrading his book on Kibaki…

UPDATE:

Interestingly, When John Githongo’s book, Its Our Time to Eat, written by Michela Wrong, came out, the man instantly became a hero to some and a traitor to others. Now that Miguna Miguna’s book Peeling back the Mask is soon to be launched, the people who considered Githongo a traitor now think Miguna is a hero. On the other hand the people who said Githongo was a hero now feel Miguna is a traitor. Still, each of these groups will point an accusing finger at the other calling them tribalists and anti-reformers…

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Kenyan elected to continental publishing body

A Kenyan, Mr. Lawrence Njagi is the new treasurer of African Publishers Network (APNET), the continental body that brings together African publishers from both English and French speaking countries. Mr. Njagi, who apart from being the chairman of the Kenya Publishers Association, is also the managing director of Mountain Top Publishers, was elected for a two year period when APNET’s general council met in Cape Town on the sidelines of the Cape Town Book Fair. Mr. Samuel Kolowale, who heads the Nigeria Publishers Network, was elected as chairman.

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The new team also includes Mohamed Radi, from Egypt as vice chair. Members of the council are Mrs Christine Ekue from Togo, Mrs Gaulphine Nyirenda from Malawi, Mr Asare Yemoah Konadu from Ghana and Mr David Kibuuka from Uganda. The new team will be in office for a period of two years. The new team takes over from the previous office held by Brian Wafarowa, from South Africa, who was chairman and Ray Munamwimbu, from Zambia, who was treasurer.

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Surgeon wins Kenya’s top literary prize

Sunday Nation columnist Dr. Yusuf Dawood is the winner of this year’s Jomo Kenyata Prize for Literature award. His book, Eye of the Storm, beat two other nominees; Terrorists of the Aberdare by Ng’ang’a Mbugua, and Lone Dancer (EAEP) by Joe Kiarie to scoop the top prize in the English category. In the Kiswahili category the winner is Timothy Arege with his book Kijiba cha Moyo (Longhorn). In the English Youth Category Eva Kasaya’s book Tales of Kasaya (Kwani Trust) won the top prize, while Mlemavu si Mimi (OUP) by Ipalei Godfrey. In the children’s Englisifh category the winner was journalist Peter Kimani with his book Upside Down (OUP). The kiswahili category was taken by Q FM presenter Nuhu Bakari with his book Wema wa Mwana (Longhorn). Winners in the adult categories took home sh150,000 while those in the youth and children’s categories got themselves sh75,000 each. The Jomo Kenyatta Prize for Literature is awarded every two years and is sponsored by the Text Book Center.